A journey inside Stalin's Siberian prison camps

A journey inside Stalin's Siberian prison camps
Photographer Barry Lewis’s new book takes a look into a history that the Russian government would rather we all forgot.

In winter 1991, British photographer Barry Lewis set forth on a journey to the Gulag. The trip to Josef Stalin’s notorious Siberian prison camps is one which few had returned from. As the Soviet Union barrelled towards its demise that December, the spirit of glasnost (openness and transparency) prevailed as the dark heart of the USSR was finally laid open for all the world to see.

On assignment for Geo magazine, Lewis was taken inside the notorious slave labour camps that housed convicts and political dissidents. Prisoners there were often imprisoned without trial, with some 18 million citizens disappeared at their peak between 1930 and 1953.

Buried in this far flung corner of the Soviet empire lay untold wealth of uranium and gold. Prisoners were forced to work in inhospitable conditions at temperatures of -30° C to say nothing of radiation poisoning. Some two million prisoners perished while in prison, while survivors settled into the town of Magadan having nowhere else to go. While the most dangerous camps had closed by 1991 some remained operational, and Lewis was permitted to document it all.

Now Lewis looks back on this extraordinary project in the new book, Gulag: A journey into the darkness of Stalin's Siberian prison camps (Fistful of Books). Gulag opens with Lewis’ ominous arrival on bleak shores of this distant world, evoking a harrowing feeling that one has reached the point of no return. The book unfolds like Dante’s Inferno, leading us into deeper circles of hell.

“The writer, Peter-Mattheas Gaede and I decided to make the journey from the port to the infamous mines and camps of the Kolyma Hills, following the path thousands of prisoners had taken from 1930s to the 50s,” says Lewis. “I particularly wanted to do this journey in mid-winter to echo the pain of the prisoner’s march north along the Road of Bones.”

As a British citizen, Lewis was afforded protection on his journey, a privilege he readily understood as he faced the foreboding truth of the Gulag. “I was originally a chemist and knew the dangers of our final destination: the ruins of the Butugychag camp, not even listed in the documentation of abandoned camps, where prisoners mined and processed uranium,” he says.

Situated high in the Kolyma mountains, Butugychag camp was abandoned after Stalin’s death in 1954, but it still posed great danger to all who dared to enter. Inside the abandoned settlement, the rock-built cells continued to emit deadly levels of radioactivity.

“Ironically the place I was most nervous of, Camp AV261/4, an active prison work camp outside the settlement of Uptar, proved to be warm and interesting,” he says. “I was given permission to wander freely (with an armed guard!) amongst the inmates who showed curiosity more than hostility.”

Ultimately Gulag is a story of histories untold, erased, and lost — particularly those who survived to tell the tale. “These old people all had stories of a history that the Russian government wanted to forget and, despite perestroika, were hoping would disappear with their deaths,” Lewis says.

“They had a quiet dignity, their pain and loss, metamorphosed into a fragile radiance, the anger transformed into a tired kindness, but always needing to tell their story.”

Enjoyed this article? Follow Huck on X and Instagram.

Support stories like this by becoming a member of Club Huck.

Latest on Huck

Exploring the impact of colonialism on Australia’s Indigenous communities
Photography

Exploring the impact of colonialism on Australia’s Indigenous communities

New exhibition, ‘Under a Southern Star: Identity and Environment in Australian Photography’ interrogates the use of photography as a tool of objectification and subjugation.

Written by: Miss Rosen

My sister disappeared when we were children. Years later, I retraced her footsteps
Photography

My sister disappeared when we were children. Years later, I retraced her footsteps

After a car crash that saw Magnum photographer Lindokuhle Sobekwa hospitalised, his sister ran away from their home in South Africa. His new photobook, I Carry Her Photo With Me, documents his journey in search of her.

Written by: Lindokuhle Sobekwa

Inside New York City’s hedonistic 2000s skateboarding scene
Photography

Inside New York City’s hedonistic 2000s skateboarding scene

New photobook, ‘Epicly Later’d’ is a lucid survey of the early naughties New York skate scene and its party culture.

Written by: Isaac Muk

Did we create a generation of prudes?
Culture

Did we create a generation of prudes?

Has the crushing of ‘teen’ entertainment and our failure to represent the full breadth of adolescent experience produced generation Zzz? Emma Garland investigates.

Written by: Emma Garland

How to shoot the world’s most gruelling race
Photography

How to shoot the world’s most gruelling race

Photographer R. Perry Flowers documented the 2023 edition of the Winter Death Race and talked through the experience in Huck 81.

Written by: Josh Jones

An epic portrait of 20th Century America
Photography

An epic portrait of 20th Century America

‘Al Satterwhite: A Retrospective’ brings together scenes from this storied chapter of American life, when long form reportage was the hallmark of legacy media.

Written by: Miss Rosen

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now