BMX Freestyler Alex Coleborn has his eyes on the prize

  • Text by Huck
BMX Freestyler Alex Coleborn has his eyes on the prize
Wheels up — From building his own ramps to representing Great Britain in Tokyo, freestyle BMX rider Alex Coleborn hopes next year’s Olympics can be a game-changer for the sport.

Alex Coleborn has spent half his life on a BMX bike. Having first picked one up as a 13-year-old growing up on Jersey he had to make do “building ramps out of mud” but next Summer he’ll appear on the biggest stage, representing Great Britain in Tokyo when freestyle BMX makes its Olympic debut alongside sport climbing and skateboarding.

It’s been far from an easy ride for the Jerseyman though. At 22 a nasty crash resulted in a broken hip that threatened to end his career just as he was getting started but since then he’s bounced back to podium finishes at competitions across the world including taking silver at the UCI Urban Cycling World Championships in 2017.

We caught up with the freestyler ahead of what could be the biggest year in his career so far.

You grew up on Jersey where there wasn’t much to promote BMX freestyling, I even read that you had to build your own ramps out of mud. What got you from being that kid to competing at the top of the game?

When I was younger BMX was never really a big thing in Jersey so you had to make the best of what you got. In my younger years building ramps out of mud with my mates was where we had fun. I knew that I had a massive passion for the sport from the moment I picked up a bike and started messing around but never would I have imagined it would lead me to where I am today.

Where you are today is on the verge of competing at the Tokyo Olympics next Summer. That must be pretty surreal?

Yeah, it’s pretty crazy, it’s been an amazing opportunity so far. Being part of the British cycling team is completely different to anything I’ve ever experienced. The amount of support received, from management to physio is unreal. I still get to do what I love which is BMX so to me it’s not really a different set up more of a bigger support system.

The inclusion of skateboarding in the Olympics is proving really divisive in that community out of fear it’s going to sanitise the sport. Are you worried about that at all for BMX?

I don’t think being in the Olympics is going to change the sport whatsoever. I think it will only do it good. Getting a younger generation of kids into riding, that’s what it’s all about. We do this because it’s what we are passionate about. The hard work and effort every rider puts in deserves its recognition and finally we are able to see that in Tokyo 2020.

Last month you were competing at NASS Festival which really brought together some massive names in music with the best of BMX and Skate. Did you think BMX would ever be so popular as to share a stage with the likes of Cypress Hill?

I think with BMX it’s always growing, there are more people getting involved and I think it’s sick that we can bring together the sport and the music in one weekend.

Freestyling requires taking a lot of risks and being willing to really put your body on the line. What gets you back on the bike when you’ve crashed?

Any sport is going to have risks. I’ve had some pretty nasty crashes over the years but my determination and passion to get back on my bike is the only way to conquer any fear you have.

Alex Coleborn was speaking to Huck following his appearance at NASS 2019. For more information on the festival, visit the official website

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.  

Latest on Huck

Exploring the impact of colonialism on Australia’s Indigenous communities
Photography

Exploring the impact of colonialism on Australia’s Indigenous communities

New exhibition, ‘Under a Southern Star: Identity and Environment in Australian Photography’ interrogates the use of photography as a tool of objectification and subjugation.

Written by: Miss Rosen

My sister disappeared when we were children. Years later, I retraced her footsteps
Photography

My sister disappeared when we were children. Years later, I retraced her footsteps

After a car crash that saw Magnum photographer Lindokuhle Sobekwa hospitalised, his sister ran away from their home in South Africa. His new photobook, I Carry Her Photo With Me, documents his journey in search of her.

Written by: Lindokuhle Sobekwa

Inside New York City’s hedonistic 2000s skateboarding scene
Photography

Inside New York City’s hedonistic 2000s skateboarding scene

New photobook, ‘Epicly Later’d’ is a lucid survey of the early naughties New York skate scene and its party culture.

Written by: Isaac Muk

Did we create a generation of prudes?
Culture

Did we create a generation of prudes?

Has the crushing of ‘teen’ entertainment and our failure to represent the full breadth of adolescent experience produced generation Zzz? Emma Garland investigates.

Written by: Emma Garland

How to shoot the world’s most gruelling race
Photography

How to shoot the world’s most gruelling race

Photographer R. Perry Flowers documented the 2023 edition of the Winter Death Race and talked through the experience in Huck 81.

Written by: Josh Jones

An epic portrait of 20th Century America
Photography

An epic portrait of 20th Century America

‘Al Satterwhite: A Retrospective’ brings together scenes from this storied chapter of American life, when long form reportage was the hallmark of legacy media.

Written by: Miss Rosen

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now