Behind closed doors with Andy Warhol’s right-hand man
- Text by Huck
- Photography by Bob Colacello
Throughout the late ’70s and early ’80s, Bob Colacello was synonymous with America’s VIP culture.
As Andy Warhol’s trusted right-hand man, the writer, editor and photographer was firmly embedded in high society, accompanying the pop artist to lofty parties, full of designers, politicians and film stars.
It was at these gatherings that Colacello took the photos that make up Pictures From Another Time, a new exhibition currently showing at New York’s Vito Schnabel gallery.
Working with a Minox 35 EL – the camera favoured by spies during the Cold War – he shot some of pop culture’s most significant figures, capturing them as partied together.
“I liked to be in the middle of the party, and to give that feeling to the viewer,” he says.
“Many of my best photos, I think, are multilayered, with faces half-blocked by a waving hand or overly large hairdo. I often deliberately tilted the camera to create the sensation of being caught in a crush or slightly tipsy.”
Pictures From Another Time features the likes of Liza Minnelli, Cher, Truman Capote and Mick Jagger – as well as Warhol himself – taken at events that range from late-night jaunts at Studio 54 to presidential inaugurations.
And, though he shared his taste in cameras with agents of espionage, Colacello – who wrote for the likes of Village Voice and Vanity Fair, and edited Interview from 1971 to 1983 – never saw his work as covert. (“No one seemed to care, because I was the editor of Interview magazine, not an invasive paparazzo.”)
Together, the images form a candid portrait of a bygone era. As far as Colacello is concerned, it’s a series that wouldn’t be possible in today’s age.
“Well, I’d be competing with everybody’s phone,” he says. “And [nowadays] people tend to mix it up a lot less, to stick with their own kind, whether that be class, race, religion, sexual preference, political party, or profession. Such a bore! And intrinsically divisive.”
Pictures From Another Time is showing at New York’s Vito Schnabel gallery until June 21, 2019.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
Exploring the impact of colonialism on Australia’s Indigenous communities
New exhibition, ‘Under a Southern Star: Identity and Environment in Australian Photography’ interrogates the use of photography as a tool of objectification and subjugation.
Written by: Miss Rosen
My sister disappeared when we were children. Years later, I retraced her footsteps
After a car crash that saw Magnum photographer Lindokuhle Sobekwa hospitalised, his sister ran away from their home in South Africa. His new photobook, I Carry Her Photo With Me, documents his journey in search of her.
Written by: Lindokuhle Sobekwa
Inside New York City’s hedonistic 2000s skateboarding scene
New photobook, ‘Epicly Later’d’ is a lucid survey of the early naughties New York skate scene and its party culture.
Written by: Isaac Muk
Did we create a generation of prudes?
Has the crushing of ‘teen’ entertainment and our failure to represent the full breadth of adolescent experience produced generation Zzz? Emma Garland investigates.
Written by: Emma Garland
How to shoot the world’s most gruelling race
Photographer R. Perry Flowers documented the 2023 edition of the Winter Death Race and talked through the experience in Huck 81.
Written by: Josh Jones
An epic portrait of 20th Century America
‘Al Satterwhite: A Retrospective’ brings together scenes from this storied chapter of American life, when long form reportage was the hallmark of legacy media.
Written by: Miss Rosen