A trip through time at Brooklyn’s Empire Roller Disco

A trip through time at Brooklyn’s Empire Roller Disco
Bump'n'grind — Brooklyn's legendary Empire Roller Skating Center shut its doors for the final time after 60 years in operation back in 2007, but Patrick D. Pagnano's photographs capture the rink in its glorious heyday.

Deep in Crown Heights, Brooklyn, back in 1941, the Empire Roller Skating Center opened its doors to the world. Located across the street from Ebbets Field, back when the Dodgers were the hometown team, the Empire brought the joys of rollerskating to countless generations in its massive 36,000 square-foot space.

By the 1970s, a new style had arrived: roller disco, which brought the uptempo dance music of the nightclubs to the rink. Sound systems were upgraded and DJ booths were installed, while skaters brought their moves, creating a new craze that took the nation by storm.

And, by 1980, the media was entranced. That February, Forbes magazine commissioned street photographer Patrick D. Pagnano to document the scene. “It was the first time I had been to Crown Heights,” he remembers. “Once I entered the rink I was transported to another world and was in my element.”

Pagnano_Empire Roller Disco 12_1980 Pagnano_Empire Roller Disco 29_1980

“The skaters, their talents, enthusiasm, joy and sense of abandonment were inspirational and they enjoyed being photographed and revealing their talents to the camera. I shot this series in one evening of intense involvement in the moment. The session was electric.”

Although Forbes actually never ran the story, the photographs are now on view in Patrick D. Pagnano: Empire Roller Disco at Benrubi Gallery, New York, through March 17. 2018. In these exquisite pictures, we take a trip back in time, to the simple pleasures of neighbourhood life and a culture that helped to advance the art of roller disco by creating original styles like the Brooklyn Bounce.

At a time when the Roxy ruled downtown Manhattan and Skate Key dominated the Bronx, the Empire was Brookyln’s premier roller rink. People traveled from far and wide just to be part of the scene, whether to attend children’s birthday parties, join dance crews, or battle other skaters.

“New York in the 1970s and 80s was edgy but at the same time there was a great humanity,” Pagnano says. He honed his skills on the streets of New York, giving him the gift of speed and instinct for capturing important moments just as they occurred.

Pagnano_Empire Roller Disco 4_1980 Pagnano_Empire Roller Disco 6_1980

“My favourite places to shoot were residential neighbourhoods, city centres, events and gatherings of all types, where large groups of people are present with a sense of purpose and life is acted out in the streets,” he explains. “The Empire Roller Disco was a microcosm of a neighbourhood and played an important role in Crown Heights. The sheer joy, talent, and energy of the skaters was an inspiration.”

As with so much of New York’s legendary icons of indigenous culture, the Empire became a victim of gentrification in 2007, closing its doors after seven decades of serving the community. Though it is no longer a part of daily life, Pagnano’s photographs remind us of the importance of documenting moments as they occur so that we can savour the pleasures of the past and look at the present with fresh eyes. And, of course, the blissful  joy of roller disco.

Pagnano_Empire Roller Disco 8_1980 Pagnano_Empire Roller Disco 21_1980 Pagnano_Empire Roller Disco 25_1980 Pagnano_Empire Roller Disco 37_1980 Pagnano_Empire Roller Disco 38_1980 Pagnano_Empire Roller Disco 11_1980 Pagnano_Empire Roller Disco 19_1980 Pagnano_Empire Roller Disco 31_1980

Follow Miss Rosen on Twitter.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

Latest on Huck

Exploring the impact of colonialism on Australia’s Indigenous communities
Photography

Exploring the impact of colonialism on Australia’s Indigenous communities

New exhibition, ‘Under a Southern Star: Identity and Environment in Australian Photography’ interrogates the use of photography as a tool of objectification and subjugation.

Written by: Miss Rosen

My sister disappeared when we were children. Years later, I retraced her footsteps
Photography

My sister disappeared when we were children. Years later, I retraced her footsteps

After a car crash that saw Magnum photographer Lindokuhle Sobekwa hospitalised, his sister ran away from their home in South Africa. His new photobook, I Carry Her Photo With Me, documents his journey in search of her.

Written by: Lindokuhle Sobekwa

Inside New York City’s hedonistic 2000s skateboarding scene
Photography

Inside New York City’s hedonistic 2000s skateboarding scene

New photobook, ‘Epicly Later’d’ is a lucid survey of the early naughties New York skate scene and its party culture.

Written by: Isaac Muk

Did we create a generation of prudes?
Culture

Did we create a generation of prudes?

Has the crushing of ‘teen’ entertainment and our failure to represent the full breadth of adolescent experience produced generation Zzz? Emma Garland investigates.

Written by: Emma Garland

How to shoot the world’s most gruelling race
Photography

How to shoot the world’s most gruelling race

Photographer R. Perry Flowers documented the 2023 edition of the Winter Death Race and talked through the experience in Huck 81.

Written by: Josh Jones

An epic portrait of 20th Century America
Photography

An epic portrait of 20th Century America

‘Al Satterwhite: A Retrospective’ brings together scenes from this storied chapter of American life, when long form reportage was the hallmark of legacy media.

Written by: Miss Rosen

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now