Capturing the forgotten communities of east London
- Text by HUCK HQ
- Photography by Oliver Cargill
East London has changed immeasurably over the last decade. Once neglected, it’s now one of the capital’s most desirable pockets; transforming itself from a high-risk crime zone (remember when Clapton road was ‘murder mile’?) to a thriving hub of pop-up boutiques and overpriced coffee shops.
As is typically the way with inner-city gentrification, there are many that have been left behind – particularly among the area’s older, poorer communities. “They can’t stand it,” Yorkshire-born photographer Oliver Cargill tells Huck. “Who can?”
Cargill’s new photo series, Hell Is Right Here, aims to give a voice to the locals who have been forgotten in Hackney, Bethnal Green and Brick Lane. Shot on film, his photos pay tribute to the original working-class communities in the area, via unflinching portraiture and artful location shots.
“I was brought up in a working-class family, so the working class ‘scene’ was all around me in Yorkshire,” he explains. “It wasn’t until I moved to London over a decade ago, that I really saw the harshness of working class, East London life. Even though I see myself as working class, and even nearly an east Londoner, I am far removed from the working class life of East London.”
His whole project is set to go on display this Friday (October 6th) at Monty’s Bar on Brick Lane. According to Cargill, it will be his first ever solo show. “Most of my subjects reflect a small part of me in some way,” he adds, poetically. “I have been walking the streets of East London for many years, so it helps having a face and name around these parts. It meant I was able to get closer than most.”
Oliver Cargill’s Hell Is Right Here will run at Monty’s Bar on Friday October 6th.
See more of his work on his official website, or follow him on Instagram.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
Exploring the impact of colonialism on Australia’s Indigenous communities
New exhibition, ‘Under a Southern Star: Identity and Environment in Australian Photography’ interrogates the use of photography as a tool of objectification and subjugation.
Written by: Miss Rosen
My sister disappeared when we were children. Years later, I retraced her footsteps
After a car crash that saw Magnum photographer Lindokuhle Sobekwa hospitalised, his sister ran away from their home in South Africa. His new photobook, I Carry Her Photo With Me, documents his journey in search of her.
Written by: Lindokuhle Sobekwa
Inside New York City’s hedonistic 2000s skateboarding scene
New photobook, ‘Epicly Later’d’ is a lucid survey of the early naughties New York skate scene and its party culture.
Written by: Isaac Muk
Did we create a generation of prudes?
Has the crushing of ‘teen’ entertainment and our failure to represent the full breadth of adolescent experience produced generation Zzz? Emma Garland investigates.
Written by: Emma Garland
How to shoot the world’s most gruelling race
Photographer R. Perry Flowers documented the 2023 edition of the Winter Death Race and talked through the experience in Huck 81.
Written by: Josh Jones
An epic portrait of 20th Century America
‘Al Satterwhite: A Retrospective’ brings together scenes from this storied chapter of American life, when long form reportage was the hallmark of legacy media.
Written by: Miss Rosen