Xenia Rubinos dances in the face of fear to survive

Xenia Rubinos dances in the face of fear to survive
On the hunt for joy — A mother from Puerto Rico, a father from Cuba, born and raised in the US – Xenia Rubinos' identity is as diverse as the music she creates. Here, the New York singer-songwriter talks about her new album, influenced by American culture but motivated by the survival of fear.

A fusion of jazz, R&B, hip-hop and Cuban influence – it’s impossible to pigeonhole the music of Xenia Rubinos into just one genre. However, there’s one thing that’s certain: in the current political climate of the United States, where xenophobia is rife and gun violence is out of control, Rubino’s innovative new album offers an exploration of ethnic identity and a vision of joy in the face of fear.

Your new album Black Terry Cat dropped earlier this month – are there any political influences embedded within it?
There’s no secret message, it just became this message and mantra to wrap the idea of the album around. I was exploring different themes of my own ethnicity – I identify as Afro-Latina and I was trying to put my finger on a magic-mojo that I think comes from my African roots. I was also just thinking about what it means to be a person of colour in America right now.

So what exactly does being a person of colour in America mean for you today?
My ethnic identity is constantly growing and evolving. I was born in the States, but my father is from Cuba and my mother is from Puerto Rico, and then I’m the first generation of my family to be born and raised in America.

Now as an adult I’m learning more  – it’s a constant discovery of trying to find my place and figure out who I am. Although I do think that today there’s a better representation of people who look like me in the media, which wasn’t necessarily the case when I was growing up. That’s a positive thing that’s happening in America right now.

CamiloXR_3372

It’s so great to hear you talking about positives – at the moment it feels like everybody is suffocating under their fear. Is this stance of optimism something that you try to channel into your work?
The way I like to grapple with these things in music is to find a joyful way to carry my pain. I’m really inspired by the expressive spirit of my Cuban culture too – if you don’t find a way to be joyful, even in the face of great struggle, then you’re not going to be able to survive.

You use a huge number of genres to create you work. Is this a reflection on the diversity of American culture?
My song, Mexican Chef is shouting out an invisible workforce that exists in America. It was a tongue and cheek observation when I was walking home one night. In the backs of the restaurants I could see that the chefs were Hispanic or Mexican and playing Rancheras music, and then those working in the front were usually white and playing something like Bon Iver. Seeing those two worlds in that one space was a really funny observation.

This country is a country of immigrants – that’s how it was founded.

Speaking of a country built on immigration – I saw that one of your songs was played on the American TV show Democracy Now, over a clip of Trump…
Yeah, that was so surreal! I just woke up and I had tweets from friends telling me about it – it’s very ironic. They used the song Just Like I – in the song I’m talking about biting the hand that feeds you. Like, big businesses, big corporations and how I buy the things they sell me, live in the buildings that they have built for me. It stems of me thinking of consumerism in a really stream-of-consciousness kind of way.

Actually I’m interested, what is your personal stance on the political situation at the moment?
I’m a little baffled about it all – last night the senate’s voted on four separate bills about gun control and none of them passed. 90% of American’s are in favour of better gun control, but they still voted against them, I’m outraged. But I’m also hopeful, I think that we have to be hopeful. In Black Terry Cat I use the melodies and grooves to express who I am and the things I’m thinking about. Maybe just using music to express who I am is a kind of protest against it all?

Absolutely! Owning and expressing yourself in a society which tells you to be a certain way – don’t you think that maybe that’s an act of protest in itself?
I’m definitely doing the best I can to be a person that I like. But ultimately, when I think about Trump or the things that are going on in the country, I start to think about how I can make it better. When we don’t know what to do or don’t know a lot about a situation, we can often feel defeated and afraid, but we can take it back into our own hands. We can always do something, there’s always a change we can make! That’s where we can feel empowered.

CamiloXR_3202

Although when you were producing your album you didn’t intend to create a specific political message, do you think that given the political climate, people will be able to relate to it in this way?
Ultimately, folks will take what they want from a song. There are so many tracks that we listen to on a daily basis that are a huge part of our lives, and we have no idea what the intentions of the songwriter were when they wrote it. In my music, I think you can hear that I’m saying something raw and emotional, but you could apply it to a number of things in your life, in your own way.

Xenia Rubinos will be touring the U.S. and Europe in 2016, and you can check out her new album – Black Terry Cat

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

Latest on Huck

Subversive shots of Catholic schoolgirls in ‘80s New York
Culture

Subversive shots of Catholic schoolgirls in ‘80s New York

Catholic Girl — When revisiting her alma mater, Andrea Modica noticed schoolgirls finding forms of self-expression beyond the dress code. Her new photobook documents their intricate styles.

Written by: Isaac Muk

We need to talk about super gonorrhoea
Activism

We need to talk about super gonorrhoea

Test & vaccinate — With infection rates of ‘the clap’ seemingly on the up, as well as a concerning handful of antibiotic resistant cases, Nick Levine examines what can be done to stem the STI’s rise.

Written by: Nick Levine

5 decades ago, Larry Sultan & Mike Mandel redefined photography
Culture

5 decades ago, Larry Sultan & Mike Mandel redefined photography

Evidence — Between 1975 and 1977, the two photographers sifted through thousands of images held by official institutions, condensing them into a game-changing sequence.

Written by: Miss Rosen

Warm portraits of English football fans before the Premier League
Culture

Warm portraits of English football fans before the Premier League

Going to the Match — In the 1991/1992 season, photographer Richard Davis set out to understand how the sport’s supporters were changing, inadvertently capturing the end of an era.

Written by: Isaac Muk

Tbilisi nightclubs to reopen for New Year’s Eve after 40-day strike
Music

Tbilisi nightclubs to reopen for New Year’s Eve after 40-day strike

Dancefloor resistance — Georgian techno havens including BASSIANI and Left Bank have announced parties tonight, having shuttered in solidarity with protests against the country’s government.

Written by: Isaac Muk

Why did 2024 feel so unreal?
Culture

Why did 2024 feel so unreal?

Unrest & Stagnation — With unending mind-boggling news stories, the past 12 months have felt like a spiral into insanity. Is AI to blame or a hangover from the pandemic? Newsletter columnist Emma Garland digests the mess.

Written by: Emma Garland

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now