What happened when Dizzee Rascal performed Boy in Da Corner last night
- Text by Gabriela Helfet
- Photography by Jordan Curtis Hughes // Steve Stills for Red Bull Music Academy
![What happened when Dizzee Rascal performed Boy in Da Corner last night](https://images.huckmag.com/tco/images/Huck/DizzeeRascal_BoyInDaCorner_221016_08_JH-copy-31_2023-03-27-090810_aigg.jpg?w=1920&q=75&auto=compress&format=jpg)
It’s equal parts exciting and scary when a musician you love decides to revisit an old album – and perform it in full.
Exciting because when it’s done right, it’s next level… Scary because when it’s done wrong, it has the potential to forever change the way you see that record.
In 2014, Mos Def brought his Black on Both Sides tour to London. The show was a godawful, hip hop train wreck – like watching a drunk relative embarrass themselves in front of everyone you’ve ever met in your life. (Most of the sold-out crowd left well before the show ended.) Two years later, it’s impossible to listen to the album in the same way, without having flashbacks of that night.
When Dizzee Rascal announced he’d be performing Boy in Da Corner in full, as part of the Red Bull Music Academy tour, the feeling of giddy ‘yassssssssssssss’ excitement was soon followed by sinking, Mos Def PTSD.
There are certain records that perfectly encapsulate a place, time and feeling. Boy in Da Corner is one of them. It’s 2003, punchy and bratty, quick-spitting grime, it’s being a teenager, thinking you’re big time but really you’re seventeen, thinking you dun kno when really you have no idea. But as Dizzee himself says, “When we ain’t kids no more, will it still be about what it is right now?”
![Red Bull Music Academy UK Tour_Steve Stills.P-20161023-00186_News](https://images.huckmag.com/wp-content/uploads/2016/10/Red-Bull-Music-Academy-UK-Tour_Steve-Stills.P-20161023-00186_News.jpg?w=1920&q=75&auto=compress&format=jpg)
How many records can you think of that you’d want to listen to the whole way through, every single song? OK, now rewind to 2003, how many of those records would you want to listen to the whole way through?
Please let this be good.
From the first notes of ‘Sitting Here’, it was like Dizzee turned on a light switch in the crowd. Wagwan was that the whole place lit up like an electrified, grime Christmas tree – a mood that continued to build the entire way through. Somehow Boy in Da Corner sounded even more fresh than when it first came out thirteen years ago. Dizzee’s flow razor-tight, whipping the audience into a frenzy with those beloved beats, every song building on the last. But it wasn’t just Dizzee’s performance that made the gig so special. It was the thousands of Londoners getting down in a way only they can.
??? #Dizzee you rascal #BoyInDaCorner #RBMAUKTour @DizzeeRascal pic.twitter.com/3tml1oXgrn
— Red Bull UK (@RedBullUK) October 22, 2016
Last night was more than a celebration of a record that is pretty close to perfect. A record that – for any music fan coming of age in the early 2000s, whether you were a hip hop head or an indie kid – probably defined your life. It was also a reminder that, through all the Brexit bullshit, the division and difficulties, the madness and hate that 2016 has brought, the London scene is, and forever will be, damn special.
It’s a Dizzee thing. It’s a London thing.
For more information on the 2016 RBMA tour and to find what’s happening near you, check out Red Bull Music Academy.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
![A behind the scenes look at the atomic wedgie community](https://images.huckmag.com/tco/images/Huck/Lampshade-WedgieSelf-Portrait.jpg?w=1920&q=75&auto=compress&format=jpg)
A behind the scenes look at the atomic wedgie community
Stretched out — Benjamin Fredrickson’s new project and photobook ‘Wedgies’ queers a time-old bullying act by exploring its erotic, extreme potential.
Written by: Isaac Muk
![“Welcome to the Useless Class”: Ewan Morrison in conversation with Irvine Welsh](https://images.huckmag.com/tco/images/Huck/Untitled.jpeg?w=1920&q=75&auto=compress&format=jpg)
“Welcome to the Useless Class”: Ewan Morrison in conversation with Irvine Welsh
For Emma — Ahead of the Scottish author’s new novel, he sat down with Irvine Welsh for an in-depth discussion of its dystopic themes, and the upcoming AI “tsunami”.
Written by: Irvine Welsh
![“Struggle helps people come together”: Sharon Van Etten & The Attachment Theory](https://images.huckmag.com/tco/images/Huck/Sharon-Van-Etten-The-Attachment-Theory-2025-01-please-credit-Susu-Laroche.png?w=1920&q=75&auto=compress&format=jpg)
“Struggle helps people come together”: Sharon Van Etten & The Attachment Theory
Huck’s February interview — To hear more about the release of the indie darling’s first collaborative album, we caught up with her and Devra Hoff to hear about the record, motherhood in music and why the ’80s are back,
Written by: Isaac Muk
![Nxdia: “Poems became an escape for me”](https://images.huckmag.com/tco/images/Huck/Nxdia-web-header.jpg?w=1920&q=75&auto=compress&format=jpg)
Nxdia: “Poems became an escape for me”
What Made Me — In this series, we ask artists and rebels about the forces and experiences that shaped who they are. Today, it’s Egyptian-British alt-pop shapeshifter Nxdia.
Written by: Nxdia
![Kathy Shorr’s splashy portraits inside limousines](https://images.huckmag.com/tco/images/Huck/LIMO_10.jpg?w=1920&q=75&auto=compress&format=jpg)
Kathy Shorr’s splashy portraits inside limousines
The Ride of a Lifetime — Wanting to marry a love of cars and photography, Kathy Shorr worked as a limousine driver in the ’80s to use as a studio on wheels. Her new photobook explores her archive.
Written by: Miss Rosen
![Lewd tales of live sex shows in ’80s Times Square](https://images.huckmag.com/tco/images/Huck/AL-GOLDSTEIN.jpg?w=1920&q=75&auto=compress&format=jpg)
Lewd tales of live sex shows in ’80s Times Square
Peep Man — Before its LED-beaming modern refresh, the Manhattan plaza was a hotbed for seedy transgression. A new memoir revisits its red light district heyday.
Written by: Miss Rosen