Luminous portraits of NYC’s new young icons
- Text by Huck
- Photography by Ethan James Green (courtesy of Aperture, 2018)
Photographer Ethan James Green grew up in Caledonia, a village just south of Grand Rapids, Michigan. Small and sleepy, with corn fields that seemed as if they stretched on forever, it felt miles away from anywhere.
So when he moved to New York City in his teens to pursue a career in modelling, it was inevitably quite the culture shock. “When I first came it was very overwhelming,” he remembers. “There was just so much going on.”
Eventually, though, he began to settle. Combining modelling gigs with a job working for David Armstrong – the American photographer best known for his portraits of young men – the city became home as Green submitted to its daily whir. Under the mentorship of Armstrong (who died in 2014, aged 60), he began to further explore photography, too.
“After a few years, David moved to Massachusetts,” Green explains. “But when he was moving, a lot of people were asking if they could buy his prints, so he asked if I wanted to do a sale.”
“I was going through all of the prints in his studio and a lot of them were from his first book The Silver Cord – which is all black and white, a lot of portraits that he shot of friends. I loved them so much and felt so inspired. I wanted to shoot the equivalent of the people in those pictures today.”
The result is Young New York, a series of intimate portraits that capture the city’s next generation of free spirits and Green’s first monograph, published by Aperture. Having began when a chance meeting with the model and actress Hari Nef saw him approach her in a nightclub smoking area and ask to take her picture (which he did, in a park about a week later, with exciting results) the project quickly snowballed. Friends of Hari’s saw her picture and wanted one of their own, friends of friends followed suit, and so forth.
Shot in black and white, the photos depict a young population breathing new life into NYC: models, actors, artists and club kids, all of whom belong to an unspoken network of people that Green refers to as “new icons”. Young New York is a celebration of individuality – one that he hopes will resonate with a whole new generation of Americans.
“I feel like the pictures can allow someone to see someone who’s just like them. And that [can] give them the courage to make that move. You know, thinking, ‘Oh, I can do that too,” he adds. “New York, it has this new energy because of the young people arriving. I think there’s a new wave. The book, I hope, represents those people are that are making New York special again.”
Young New York is available now from Aperture.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
Exploring the impact of colonialism on Australia’s Indigenous communities
New exhibition, ‘Under a Southern Star: Identity and Environment in Australian Photography’ interrogates the use of photography as a tool of objectification and subjugation.
Written by: Miss Rosen
My sister disappeared when we were children. Years later, I retraced her footsteps
After a car crash that saw Magnum photographer Lindokuhle Sobekwa hospitalised, his sister ran away from their home in South Africa. His new photobook, I Carry Her Photo With Me, documents his journey in search of her.
Written by: Lindokuhle Sobekwa
Inside New York City’s hedonistic 2000s skateboarding scene
New photobook, ‘Epicly Later’d’ is a lucid survey of the early naughties New York skate scene and its party culture.
Written by: Isaac Muk
Did we create a generation of prudes?
Has the crushing of ‘teen’ entertainment and our failure to represent the full breadth of adolescent experience produced generation Zzz? Emma Garland investigates.
Written by: Emma Garland
How to shoot the world’s most gruelling race
Photographer R. Perry Flowers documented the 2023 edition of the Winter Death Race and talked through the experience in Huck 81.
Written by: Josh Jones
An epic portrait of 20th Century America
‘Al Satterwhite: A Retrospective’ brings together scenes from this storied chapter of American life, when long form reportage was the hallmark of legacy media.
Written by: Miss Rosen