Inside the disturbing world of Italy’s exorcists
- Text by Natalie Maria Wardle
Deliver Us is a disturbing new documentary on the reformed practice of exorcisms, following Sicily’s most in-demand exorcist – Father Cataldo Migliazzo, an 80-year-old priest based in Palermo.
The film revolves around a cast of several characters; from a woman housebound out of fear her demon will make her do depraved acts in public, to a crust punk addicted to drugs and disturbed by visions. Filmmaker Federica Di Giacomo explores their stories, as well as the psychology underlying the continued practice of exorcism in the contemporary world.
The practice is steadily gaining popularity within organised religion across the globe, in lieu of adequate healthcare for the mentally ill. While staying neutral in its narrative, Deliver Us asks the audience to examine the rise of this practice, and question how the church uses its influence. Is it just offering an artificial crutch for deep-faceted psychological problems? Is there a connection between the rise of exorcisms and the critical cuts to public services and mental health care? We caught up with Di Giacomo to hear her thoughts.
What drove you to pursue this idea for a documentary?
I was interested in these reports of possession, and the way they are growing as a result of an economic downturn. I was also really interested in the training of exorcising demons, and started going through the newspapers for courses on exorcisms. Because normally, it’s not something you read about in daily life.
How did you find the whole process of documenting these ‘exorcisms’? Was it traumatic?
No. It became a practice of liberation. It’s the kind of thing these priests do every day. It’s like a war of energy between the church and the underworld – one against another… Although there were a few possessions that were very violent in nature.
The increase in these ‘group demonic exorcisms’ is seen as a result of growing interest in Satanism and the occult. However, many of these possessions seem to signify an underlying psychological disorder in the victim. What is your view?
There are a lot of people that are suffering from something that could be understood psychologically – but perhaps there is something about our church which makes you get better because there is something spiritual about it. There is something charming about the lack of judgement, and listening not for money. The church is what the community needs, and offers a ritual for getting better. But of course, as it says in the documentary, it’s a mistake to go to an exorcist instead of a doctor.
Were there exorcisms you thought might be genuine? There appeared to be many moments of hysteria and even some doubting from certain priests of their validity.
The exorcisms are definitely very real. It’s a kind of energy – you can see it in their eyes. Sometimes it was really difficult not to share their suffering. Especially when you see the things that were happening to their bodies, the contorting from within their muscles.
Do you think this practice is providing a real service to Italy’s citizens, in place of doctors?
The priests are the first to tell them to see doctors, but they can’t turn them away. They can’t say no to listening. Some of these people still can’t be reasoned with, so they have to listen as part of the traditional practice. But like doctors, I saw some priests that were really very bad, and some that were very good. For that reason, there is a danger that we can miss the real underlying cause – therefore it can be a negative thing.
Do you think your documentary suggests it has gone too far in Italy?
Yes. It’s happening more, and not only Italy – but all over the world.
Interview has been edited for length and clarity.
DELIVER US (Liberami) is in UK cinemas on October 27th, and on DVD October 30th.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
Exploring the impact of colonialism on Australia’s Indigenous communities
New exhibition, ‘Under a Southern Star: Identity and Environment in Australian Photography’ interrogates the use of photography as a tool of objectification and subjugation.
Written by: Miss Rosen
My sister disappeared when we were children. Years later, I retraced her footsteps
After a car crash that saw Magnum photographer Lindokuhle Sobekwa hospitalised, his sister ran away from their home in South Africa. His new photobook, I Carry Her Photo With Me, documents his journey in search of her.
Written by: Lindokuhle Sobekwa
Inside New York City’s hedonistic 2000s skateboarding scene
New photobook, ‘Epicly Later’d’ is a lucid survey of the early naughties New York skate scene and its party culture.
Written by: Isaac Muk
Did we create a generation of prudes?
Has the crushing of ‘teen’ entertainment and our failure to represent the full breadth of adolescent experience produced generation Zzz? Emma Garland investigates.
Written by: Emma Garland
How to shoot the world’s most gruelling race
Photographer R. Perry Flowers documented the 2023 edition of the Winter Death Race and talked through the experience in Huck 81.
Written by: Josh Jones
An epic portrait of 20th Century America
‘Al Satterwhite: A Retrospective’ brings together scenes from this storied chapter of American life, when long form reportage was the hallmark of legacy media.
Written by: Miss Rosen