A portrait of British youth culture in the 1980s

A portrait of British youth culture in the 1980s
Young skins — Gavin Watson’s photos, of his friends making fun on the estate they grew up on, perfectly capture the defiant freedom of adolescent.

When photographer Gavin Watson was a kid, he came to the decision that he wanted a pair of binoculars – in order to look at the moon. So, after receiving his Christmas money one year, he ventured down to the local Woolworths to buy them.  

When he got there, next to the £20 binoculars (they were on sale) was a small camera. Up until then, the idea of taking photos had never really occurred to Watson. But in that moment, he knew that there was only really one option. “I looked at the camera,” he remembers, “and I thought, ‘Alright, I think I’ll get that instead.’”

That decision, made on a whim (though today, Watson believes fate might have been at play) kick-started a life dedicated to capturing the world around him. In his latest book, titled Oh! What Fun We Had, the focus falls on those early years: with Gavin as a young lad – a skinhead – having a laugh with his friends on the Wycombe council estate they grew up on.

 

“I loved being a skinhead, I loved Madness, I loved being with my mates. And I liked photography, so it happened like that. These pictures, I thought they were just useless photos of my mates that no one else [would be] interested in.”

The book, which Watson describes as a series about a “mob of people” who came together through a shared love of ska and punk, capture a simpler time: where kids could get into an innocent kind of trouble, and come away with a few scrapes at worst.

And, given that he was embedded in the group, Oh! What We Fun operates as a fly-on-the-wall account: the book operates as an intimate portrait of British youth culture in the ’80s, captured from the inside. “When I look at the pictures, I see a world without any form of technology. It could be another world,” he says. “We had more freedom back then. We’d go and play over the railway tracks, go have a tear up and it not be too serious. There weren’t cameras on your arse everywhere you fucking went.”   

Oh! What Fun We Had is available now from Damiani

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

Latest on Huck

Ghais Guevara: “Rap is a pinnacle of our culture”
Music

Ghais Guevara: “Rap is a pinnacle of our culture”

What Made Me — In our new series, we ask artists and rebels about the forces and experiences that have shaped who they are. First up, Philadelphian rap experimentalist Ghais Guevara.

Written by: Ghais Guevara

Gaza Biennale comes to London in ICA protest
Activism

Gaza Biennale comes to London in ICA protest

Art and action — The global project, which presents the work of over 60 Palestinian artists, will be on view outside the art institution in protest of an exhibition funded by Bloomberg Philanthropies.

Written by: Cyna Mirzai

Ragnar Axelsson’s thawing vision of Arctic life
Culture

Ragnar Axelsson’s thawing vision of Arctic life

At the Edge of the World — For over four decades, the Icelandic photographer has been journeying to the tip of the earth and documenting its communities. A new exhibition dives into his archive.

Written by: Cyna Mirzai

ATMs & lion dens: What happens to Christmas trees after the holiday season?
Culture

ATMs & lion dens: What happens to Christmas trees after the holiday season?

O Tannenbaum — Nikita Teryoshin’s new photobook explores the surreal places that the festive centrepieces find themselves in around Berlin, while winking to the absurdity of capitalism.

Written by: Isaac Muk

Resale tickets in UK to face price cap in touting crackdown
News

Resale tickets in UK to face price cap in touting crackdown

The move, announced today by the British government, will apply across sport, music and the wider live events industry.

Written by: Isaac Muk

Nearly a century ago, denim launched a US fashion revolution
Culture

Nearly a century ago, denim launched a US fashion revolution

The fabric that built America — From its roots as rugged workwear, the material became a society-wide phenomenon in the 20th century, even democratising womenswear. A new photobook revisits its impact.

Written by: Miss Rosen

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now