Harold Feinstein: Last Stop Coney Island

Harold Feinstein: Last Stop Coney Island
Contemplating Home — Sometimes the hardest place to understand is the one where you’re from. Before his death in June 2015, photographer Harold Feinstein explained how he found inspiration just outside his front door.

“I never really thought about choosing a place deliberately. I just wanted to take pictures and went about doing that by picking up a Rollieflex, to begin with, and taking it with me to Coney Island, which was kind of like my home growing up.

“Sometimes people travel to far-off places and that’s great too. I’ve done that. But, I think the simple things get overlooked sometimes. Perhaps one my favourite photos was one I took when I started taking photographs at fifteen. I call it ‘My Mother’s Curtains’. It simply shows three apples in a bowl on a windowsill, and that’s how I remember my childhood home. Another favourite is just of my father reading the paper by the window. I wanted to show life as it was, day to day.

“I loved my neighbourhood and Coney Island and the streets of New York. But the secret is to make yourself at home wherever you are. So, when I was drafted into the Army, I took photographs of the guys — just like me — who had been on the beaches of Coney Island the day before and now were standing in line to get inoculated. We became like a family. And that’s home. For a while I lived in the country and took pictures of the horses outside my window or the curtains blowing at the top of the stairs. Now my wife is my home.

LAST STOP CONEY ISLAND: THE LIFE AND PHOTOGRAPHY OF HAROLD FEINSTEIN – TRAILER (2018) from Zetteler Films on Vimeo.

“The old expression, ‘Home is where the heart is,’ is really so true. I was never searching for anything when I took photographs of my surroundings. I was simply bearing witness to the great moments that presented themselves to me over and over again, no matter where I was. The point is pictures are everywhere and in the end all photography — and probably all art — ends up as a self-portrait of the artist. I like bearing witness to this life in all its glory, all its simplicity. It’s the small details — the things we see everyday. But do we really see them? There’s an endless stream of beauty presenting itself to me, and you, moment by moment every day. Home is here, now. Savour it.”

This article originally appeared in Huck 46 – The Documentary Photography Special II. Grab a copy in the Huck Shop  or subscribe today to make sure you don’t miss another issue.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

 

Latest on Huck

“A party is a microcosm of a nation”: Caleb Femi on the decline of the house party
Culture

“A party is a microcosm of a nation”: Caleb Femi on the decline of the house party

To celebrate the publication of his new collection ‘The Wickedest’, Isaac Muk caught up with Femi to talk more about the work, the future of the shoobs, and discuss why having it large on a Saturday night should be cherished.

Written by: Isaac Muk

Celebrating 20 years of The Mighty Boosh
Photography

Celebrating 20 years of The Mighty Boosh

A new exhibition takes a look behind the scenes of the iconic show two decades after its BBC3 premiere.

Written by: Isaac Muk

We Run Mountains: Black Trail Runners tackle Infinite Trails
Outdoors

We Run Mountains: Black Trail Runners tackle Infinite Trails

Soaking up the altitude and adrenaline at Europe’s flagship trail running event, high in the Austrian Alps, with three rising British runners of colour.

Written by: Phil Young

The organisation levelling the playing field in the music industry
Culture

The organisation levelling the playing field in the music industry

Founded in 2022, The Name Game is committed to helping female, non-binary and trans people navigate the industry.

Written by: Djené Kaba

Vibrant, rebellious portraits of young Cubans
Photography

Vibrant, rebellious portraits of young Cubans

A new photobook captures the young people redefining Cuban identity amidst increased economic and political turbulence on the Caribbean island.

Written by: Isaac Muk

How one photographer documented her own, ever-changing image
Photography

How one photographer documented her own, ever-changing image

In her new photobook ‘A women I once knew’, Rosalind Fox Solomon charts the process of getting older through a series of stark self portraits taken over the course of decades.

Written by: Isaac Muk

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now