Hedonistic nights in 1980s New York’s East Village
- Text by Miss Rosen
- Photography by Andé Whyland
Growing up in Long Island and San Francisco, photographer Andé Whyland dreamed of moving to Manhattan from a young age. “Always feeling like a misfit, a city as large as New York had to have a place for me and a way to survive,” she says.
In 1979, Whyland finally arrived, settling into a first-floor apartment in the East Village where she paid a mere $130 a month. Two friends in the building were regulars at Club 57 – a nightclub on St. Marks Place that hosted experimental art and performance events. They asked Whyland to model in a fashion show that featured “all kinds of weird props and some meat thrown around”. Soon enough, Whyland was hooked.
“New York gave me the freedom to be myself for the first time in my life,” she says. “Making money was not a priority, but staying out late and having fun was. Everyone I got to know in the clubs was celebrating our newfound family, and the opportunity to do anything.”
“Most of us had not found this connection before, not from our families or school. It was magic the way we all ended up in the same place.”
Whyland first got into photography while living a quiet life in the Bay Area. “The camera became my friend, and was the excuse I gave myself for not having a real purpose in life,” she says.
After acquiring a Leica that fit in her purse, Whyland began making a series of photographs of the downtown New York club scene with candid portraits of luminaries such as Keith Haring, Grace Jones, Lady Bunny, Fab 5 Freddy, Tabooo, and John Sex, published in the book Shots: 1980-1986.
“Every night I went out would be filled with unexpected moments. It could be a night at the Pyramid with RuPaul singing really badly and then jumping on top of the bar and working the paying customers for tips or Dead Marilyn rolling around on a found, dirty mattress with a famous porn star Leo Ford while Divine, not in drag, hung out in the dressing room.”
Given carte blanche to photograph anywhere she went, Whyland had a blast, hanging out in the hallway of Club 57 with Holly Woodlawn as Mary Poppins and Katy K as Cinderella waiting to go on stage for Marc Shaiman and Scot Whitman’s Disney show.
But she was just as happy spending a quiet night at Club 57 while Ann Magnuson singing to a handful of people in the room. “Everyone was a star – but we were not star struck,” she says.
“Many of the creative people from that time are still performing and staying connected with each other and the new generations. So many died young from AIDS and in Wendy Wild’s case, breast cancer.”
“We did things differently then,” remembers Whyland. “The time was the beginning of something new and just plain silly.”
Shots: 1980-1986 is available on Blurb.
Follow Miss Rosen on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
In a city of rapid gentrification, one south London estate stands firm
A Portrait of Central Hill — Social housing is under threat across the British capital. But residents of the Central Hill estate in Crystal Palace are determined to save their homes, and their community.
Written by: Alex King
Analogue Appreciation: Maria Teriaeva’s five pieces that remind her of home
From Sayan to Savoie — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. First up, the Siberian-born, Paris-based composer and synthesist.
Written by: Maria Teriaeva
Petition to save the Prince Charles Cinema signed by over 100,000 people in a day
PCC forever — The Soho institution has claimed its landlord, Zedwell LSQ Ltd, is demanding the insertion of a break clause that would leave it “under permanent threat of closure”.
Written by: Isaac Muk
Remembering Taboo, the party that reshaped ’80s London nightlife
Glitter on the floor — Curators Martin Green and NJ Stevenson revisit Leigh Bowery’s legendary night, a space for wild expression that reimagined partying and fashion.
Written by: Cyna Mirzai
A timeless, dynamic view of the Highland Games
Long Walk Home — Robbie Lawrence travelled to the historic sporting events across Scotland and the USA, hoping to learn about cultural nationalism. He ended up capturing a wholesome, analogue experience rarely found in the modern age.
Written by: Isaac Muk
The rave salvaging toilets for London’s queers
Happy Endings — Public bathrooms have long been contested spaces for LGBTQ+ communities, and rising transphobia is seeing them come under scrutiny. With the infamous rave-in-a-bog at an east London institution, its party-goers are claiming them for their own.
Written by: Ben Smoke