Why 'inclusivity' in feminism isn't always a good thing

Why 'inclusivity' in feminism isn't always a good thing
From Where I Stand — From eating cereal to wearing expensive shoes, advertisers will paint anything as 'feminist' if it'll help them make cold hard cash. But it's not just brands trying to dilute feminism today. Inclusivity isn't always a good thing, argues Abi Wilkinson.

In 2017, quite a lot of things are supposedly feminist. There are the big ones, like gender pay parity and having women in positions of authority – but you can also make a pro-liberation statement by doing things like “wearing branded activewear whilst doing sports” and “eating cereal”.

Wearing expensive shoes is feminist; having a fuller figure is feminist; being slender, providing it’s what you want to do, is definitely feminist too. Advertisers have discovered that feel-good, feminist messages are an excellent way to sell all kinds of consumer products.

It’s in the interests of these for-profit corporations to make these messages as bland and uncontroversial as possible. In doing so, they can avoid alienating potential customers, but this limits their political usefulness. When “inclusivity” involves placing marginalised women (such as trans women or women of colour) at the centre of a movement, attempting to make feminism more “inclusive” is clearly a good thing. Watering down rhetoric so that almost everyone agrees with it however is a different matter entirely.

If the push to broaden the definition of “feminism” was limited to the world of advertising it might be less damaging; it’s obvious to anyone who’s looking that advertisers alone can’t set the terms of political debate. However, some feminist campaigners have also adopted similar tactics.

After the Women’s March on Washington, there was reasonable debate about whether the pink “pussy hats” worn during the protest were vagina-centric and thus trans exclusionary. Less justifiably, there was also disagreement about whether women who advocate for the criminalisation of abortion should be represented. Though it will come as a surprise to many who marched, organisers even insisted that the protest wasn’t explicitly anti-Trump, presumably in an effort to avoid alienating Republicans.

Some high-profile feminists have gone to great lengths to make men feel welcome in the movement. For columnist and campaigner Caitlin Moran, this involves convincing guys that, when you complain about gendered oppression, you don’t mean them. In an article for Esquire magazine, she suggested: “When women talk about “The Man”, we’re not talking about you. You’re just a man. You’re not The Man. Similarly, when we talk about the patriarchy, that’s not you, either. You’re not the patriarchy. You’re just… Patrick.”

This might be an effective way to get men on side, but it’s a significant departure from how feminists usually understand gender. It’s true that not every man is an active oppressor, but all men passively benefit from male privilege to some extent. What’s more, denying that gender inequality exists between ordinary people makes it harder to fight things like sexual harassment and domestic violence.

In reality, Moran’s point seems to have been about class. “When we’re doing those “MEN!” chats,” she explained. “We’re just identifying the general locus of the problem, i.e., most of the power and influence being held by a small amount of men.” Because mainstream feminism is so focused on the issues affecting class privileged women, it’s possible for the topics to become confused. Yes, the ruling class is disproportionately male – but the way you attempt to fix things depends on what you think the problem is.

The advertiser-friendly version of feminism has a very simple solution: more female elites. Increasingly, the rhetoric of intersectionality has also been incorporated into this project. It’s no longer enough to get more women into senior roles if they’re all white, cis and straight. Your boardroom needs to reflect social diversity in a myriad of ways.

Only one axis of inequality is consistently ignored. Though it’s a central aspect of the original intersectionality framework developed by theorist Kimberlé Crenshaw, campaigning focused on diversifying elites tend to make little mention of social class. In truth, the politics of representation can’t have much to say on this topic because class inequality is intrinsic to the economic system it relies upon.

Pro-capitalist feminism necessarily ignores some of the biggest challenges faced by ordinary women. We’re never going to see a Nike or H&M advert mention that women are disproportionately represented amongst the world’s poor, as doing so would mean acknowledging their own exploitation of (predominately female) sweatshop labour. The celebration of individual wealth and power allowed period underwear entrepreneur Miki Argawal to paint herself as a feminist as she denied employees adequate maternity leave and terrorised her predominantly female workforce.

Feminism that cheers on “successful” women without asking who they’ve trampled on isn’t inclusive in any genuine sense. The interests of economic elites are often directly opposed to those of ordinary people, regardless of gender. A political movement which doesn’t recognise this can’t claim to speak for majority of women, who are disproportionately likely to be in poverty in the UK and across the globe. It’s little more than a branding exercise to shore up the exploitative status quo.

Abi Wilkinson is a freelance journalist based in London writing about politics, inequality, gender, popular culture, and pretty much anything else. 

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

Latest on Huck

“A party is a microcosm of a nation”: Caleb Femi on the decline of the house party
Culture

“A party is a microcosm of a nation”: Caleb Femi on the decline of the house party

To celebrate the publication of his new collection ‘The Wickedest’, Isaac Muk caught up with Femi to talk more about the work, the future of the shoobs, and discuss why having it large on a Saturday night should be cherished.

Written by: Isaac Muk

Celebrating 20 years of The Mighty Boosh
Photography

Celebrating 20 years of The Mighty Boosh

A new exhibition takes a look behind the scenes of the iconic show two decades after its BBC3 premiere.

Written by: Isaac Muk

We Run Mountains: Black Trail Runners tackle Infinite Trails
Outdoors

We Run Mountains: Black Trail Runners tackle Infinite Trails

Soaking up the altitude and adrenaline at Europe’s flagship trail running event, high in the Austrian Alps, with three rising British runners of colour.

Written by: Phil Young

The organisation levelling the playing field in the music industry
Culture

The organisation levelling the playing field in the music industry

Founded in 2022, The Name Game is committed to helping female, non-binary and trans people navigate the industry.

Written by: Djené Kaba

Vibrant, rebellious portraits of young Cubans
Photography

Vibrant, rebellious portraits of young Cubans

A new photobook captures the young people redefining Cuban identity amidst increased economic and political turbulence on the Caribbean island.

Written by: Isaac Muk

How one photographer documented her own, ever-changing image
Photography

How one photographer documented her own, ever-changing image

In her new photobook ‘A women I once knew’, Rosalind Fox Solomon charts the process of getting older through a series of stark self portraits taken over the course of decades.

Written by: Isaac Muk

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now