Inside New York’s famed high school for the creative arts

Back to the ’70s — Artist Flint Gennari looks back on his days at New York’s High School of Art & Design – an innovative institution which boasts Marc Jacobs, Calvin Klein and Peter Hujar as alumni.

In 1936, four art teachers banded together to create what would become New York’s High School of Art & Design inside a former WPA Federal Theatre Project. Although the walls were ripped apart and there was no school furniture, a little ingenuity transformed orange crates and plywood into student desks and cupboards.

Over the past century, Art & Design has become one of the most pre-eminent public schools in New York, with a list of distinguished alumni that includes fashion designers Marc Jacobs and Calvin Klein, photographers Peter Hujar, Steven Meisel, and Sheila Metzner, artist Lorna Simpson, supermodel Pat Cleveland, Andy Warhol Factory denizens Jackie Curtis and Gerard Malanga, downtown icon Fab 5 Freddy, and a host of graffiti legends including Lee Quiñones, Lady Pink, and Roberto “FLINT” Gennari.

Gennari began writing graffiti in 1965, after his social studies teacher introduced him to the famed World War II doodle “Kilroy Was Here” in class one day. Inspired in equal parts by advertising slogans, psychedelic artist Peter Max, and the ability to be famous yet anonymous at the same time, Gennari began tagging “FLINT” on walls and trains around his native Brooklyn. He added pithy phrases like “For Those Who Dare” and “For Ladies Only” to let the public know just what was on the menu.

EPSON MFP image

As a young child Gennari took up photography and by 1970, he was documenting New York burgeoning graffiti scene as it came into being. A year later, he applied to Art & Design. “You felt like celebrating when you learned that you made it,” he remembers.

When Gennari arrived at Art & Design as a freshman, he recalls: “The school was painted fresh for the new term. I was the first writer to tag the school. I did that so I could see what other writers were there: a lot of people tagged and I found out TRACY 168, FUZZ, SHADOW, and BOMB 1 were there at the time. A few years later, I met younger writers like Al Diaz [one half of SAMO© with Jean-Michel Basquiat], TRIP 3, DELTA 2000.”

Gennari was planning to major in photography until he realised that he would spend his freshman year learning the basics of the medium, which he already knew. “When I was nine years old, I used to take my father’s camera to photograph a band across the street,” he says. “Some of the band members came to the house and wanted pictures. I didn’t have the photos ready yet, so while they were there, I started reading about how to develop the film and made a contact print.”

EPSON MFP image EPSON MFP image

“Back then was that you had to print in a darkroom and when you see the image come up, it was totally amazing. It’s something that you capture and give to the world.”

Gennari switched his major to filmmaking, but continued to take photographs throughout his years at Art & Design, amassing a collection of black and white photographs that perfectly describe the times. In his photographs, there is a sense of independence, creativity, and self-expression that evokes the D.I.Y. ethos of New York in the 1970s.

“Growing up in the 1960s, my elementary school was all white, and my junior high school was all Black,” Gennari remembers. “But at Art & Design, I met kids from all over the city: the Bronx, Brooklyn, and Queens. It was a real melting pot and we had all the freedom in the world.”

“We arranged protests like sit-ins and immobilised the school until our voice was heard and action had to be taken. I have very fond memories of these times: one had the feeling of being part of something larger than oneself. It was like a little universe of students – and we’re still very close to this day.”

EPSON MFP image EPSON MFP image EPSON MFP image EPSON MFP image EPSON MFP image EPSON MFP image

Follow Miss Rosen on Twitter.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


You might like

Black and white collage of people with bright yellow "STREET JUSTICE" text overlaid in centre.
Culture

As Kneecap and Bob Vylan face outcry, who really deserves to see justice?

Street Justice — Standing in for regular newsletter columnist Emma Garland, Huck’s Hard Feelings host Rob Kazandjian reflects on splatters of strange catharsis in sport and culture, while urging that the bigger picture remains at the forefront of people’s minds.

Written by: Robert Kazandjian

Man with glasses and beard sitting in green chair, wearing dark blue shirt and jeans in office or waiting room with wood panelling.
Culture

Alex Kazemi’s Y2K period novel reminds us that the manosphere is nothing new

New Millennium Boyz — Replete with MTV and endless band t-shirt references, the book follows three teenage boys living in 1999 USA as they descend into a pit of darkness. We spoke to its author about masculinity, the accelerated aging of teenagers, and the rebirth of subcultures in the algorithm age.

Written by: Isaac Muk

Dark street scene with orange-lit shop front and glowing red windows in building above. People gathered outside illuminated storefront.
© Tom Weatherill
Music

In photos: The people of Glastonbury’s queer heart The NYC Downlow

Elation and family — Once a year, a meatpacking warehouse nightclub springs up in Glastonbury’s South East corner and becomes a site of pilgrimage for the festival’s LGBTQ+ scene. We met the people who make The NYC Downlow so special.

Written by: Isaac Muk

Dimly lit, derelict indoor area with wooden ramps and a lone figure in the distance.
Sport

“Moment of escape”: Maen Hammad’s defiant West Bank skate photos

Landing — Choosing to return to Palestine after growing up in the USA, the photographer found himself drawn to Ramallah’s burgeoning skate scene. His debut monograph explores the city’s rebellious youth, who pull tricks in the face of occupation.

Written by: Miss Rosen

Surreal abstract illustration featuring pink and grey organic shapes and forms on a dark background.
Culture

Inside the weird world of audio porn

Porn without pictures — Storyline-driven and ethical, imageless erotica exploded during the pandemic. Jess Thomson speaks to the creators behind the microphones.

Written by: Jess Thomson

Portrait of a bald man with glasses and a beard, set against a blurred background.
Activism

Misan Harriman: “The humanity I bear witness to is extraordinary”

Shoot the People — Following the premiere of a new film exploring the photographer’s work and driving forces, we caught up with him to chat about his rapid rise, shooting protests and the need for powerful documentarians in times of struggle.

Written by: Isaac Muk

Huck is supported by our readers, subscribers and Club Huck members. It is also made possible by sponsorship from:

Signup to our newsletter

Sign up to our newsletter to informed with the cutting edge of sport, music and counterculture, featuring personal takes on the state of media and pop culture from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...