Over the bank holiday weekend, Notting Hill Carnival returned to the streets of West London after a two-year hiatus due to Covid-19. Thousands of people packed the street for the two-day event dressed in kaleidoscope costumes to match the 50,000 performers. The event – which emerged after the racist killing of the Antiguan carpenter Kelso Cochrane in 1959 – has grown to become the second-biggest carnival in the world, after the one held in Rio de Janeiro.
“Notting Hill Carnival means a lot to me because of the traditions and many years of fun,” one attendee, Christine, told Huck. “Thinking that carnival might not come back was a sad thought, but yesterday seeing so many friendly and beautiful people was magical.”
Another attendee, Harry, who plays at the event as part of the steel pan band Hype Mas, shared his thoughts on Carnival’s return. “I’ve missed the costume, the vibes, the energy… everything. I’ve been doing six years,” he said, “and I’ll keeping doing this every year until I’m old and grey!”
The weekend kicked off with the UK National Panorama Steelband Competition at Emslie Horniman’s Pleasance Park, which saw Ebony Steelband secure its 23rd win. Later in the day, there was time for reflection, with a 72-second silence to honour the 72 victims of the Grenfell Tower fire. Another silence was held on Sunday at the same time. The blaze destroyed Grenfell Tower on 14 June 2017, claiming the lives of 72 residents.
Speaking to the crowd through a microphone, Grenfell survivor Zoe Dainton said: “June the 14th of this year marked five years since the fire. Five years and still no justice, still no charges, not much change.”
Photographer Humothy attended the two-day event to capture Carnival’s much-anticipated return.
Follow Humothy on Instagram.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
Exploring the impact of colonialism on Australia’s Indigenous communities
New exhibition, ‘Under a Southern Star: Identity and Environment in Australian Photography’ interrogates the use of photography as a tool of objectification and subjugation.
Written by: Miss Rosen
My sister disappeared when we were children. Years later, I retraced her footsteps
After a car crash that saw Magnum photographer Lindokuhle Sobekwa hospitalised, his sister ran away from their home in South Africa. His new photobook, I Carry Her Photo With Me, documents his journey in search of her.
Written by: Lindokuhle Sobekwa
Inside New York City’s hedonistic 2000s skateboarding scene
New photobook, ‘Epicly Later’d’ is a lucid survey of the early naughties New York skate scene and its party culture.
Written by: Isaac Muk
Did we create a generation of prudes?
Has the crushing of ‘teen’ entertainment and our failure to represent the full breadth of adolescent experience produced generation Zzz? Emma Garland investigates.
Written by: Emma Garland
How to shoot the world’s most gruelling race
Photographer R. Perry Flowers documented the 2023 edition of the Winter Death Race and talked through the experience in Huck 81.
Written by: Josh Jones
An epic portrait of 20th Century America
‘Al Satterwhite: A Retrospective’ brings together scenes from this storied chapter of American life, when long form reportage was the hallmark of legacy media.
Written by: Miss Rosen