Photographs of America losing its shit
- Text by Khadija Ahmed
- Photography by Sarah Palmer
It’s a crucial time for Donald Trump. While he babbles on about ‘locker room banter’ and grabbing women by the p**sy, the U.S election result date is fast approaching. Despite his dangerous, stomach turning remarks, Trump supporters remain loyal to this shitbag Republican: attending rallies, wearing wacky t-shirts with trump’s face on, chanting ‘make America great again’ whatever the fuck that means.
Whether it’s a bizarre fascination or indignation towards Donald Trump, Canadian photographer Sarah Palmer has become a little bit obsessed with the cult of Trump. Sarah’s technique of using multi-frame shots – where two images are merged together – creates a disjointed picture, what she describes as a drunken effect, capturing from an outsider’s perspective the hysteria sweeping through the nation.
Why did you choose to explore the Trump phenomenon?
It all started out of curiosity and wanting to experience everything I had seen and heard about him and his rallies, firsthand. I also wanted to document it in my style of multi-frame exposures, as it lends well to the feeling of chaos and confusion that surrounds his campaign and events.
What was the message you were trying to put across through this project?
I wanted viewers to feel what it’s like to be at these rallies and the Republican National Convention. There’s often so much to see and hear that you get lost in focusing on one particular thing, so I wanted to merge those visuals together as I experienced them.
Being a Canadian, what is the general consensus on trump in Canada?
I think most of us are collectively incredulous that this is happening there. I find the extremes between conservative and liberal so much more evident in the U.S., so that of course comes out when you have someone as opinionated and right wing as Donald Trump is, running for one of the two major parties there. I think my images show how strange and confusing it is to be at these events, so hopefully it reflects the general consensus because that’s what a lot of the talk around Trump involves here, at least in my social circles, social media and just in the general media I read here.
Did you speak to Trump supporters about their reasoning?
I would wait in line to get into the rallies with everyone else, so I talked to a lot of people. The general answer I would get is that people were fed up with the way the government is run now, and they believe Trump will make the changes needed. They want jobs back in America, lower taxes, a wall built. Some democrats told me there were now voting for Trump because Hillary is ‘too liberal’ for them.
More drastic supporters told me things like they didn’t want Muslims in the country, one man told me the media lies about everything and that he gets all of his information from infowars.
What is the common theme that all your photographs share?
I try to bring as much emotion as I can to my images, so that the viewer can also try and apply their own experiences and perceptions to them. I want people to feel whats going on, and it not just be a record of an event or time.
How many rallies did you and how were they different?
I went to three rallies and the Republican National Convention. I went to one that held up to 10,000 people and then another last week that was in a high school gymnasium, holding a few thousand. The one with 10,000 people was more surreal. It felt like we were at a show, waiting for the star to come on.
It was dark, with dramatic lights, food for sale and loud music. The recent one I went to felt more real. I was able to focus on the individuals more, hear more conversations, feel more of the intensity. People were just generally angrier and more open about their opinions there. It was the day after the second debate and the audio recording being released a few days earlier, which I think added a lot of tension to the atmosphere there.
You say the Trump rally was like ‘a confusing dream’ what do you mean by this?
There’s just so much to look at and process, so when I would get back from these rallies, it would be difficult to separate my memories and feelings individually, much like when you wake up from a dream. You remember it, but sometimes it’s difficult to tell someone what exactly it was you experienced.
Find out more about Sarah Palmer’s work.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
Exploring the impact of colonialism on Australia’s Indigenous communities
New exhibition, ‘Under a Southern Star: Identity and Environment in Australian Photography’ interrogates the use of photography as a tool of objectification and subjugation.
Written by: Miss Rosen
My sister disappeared when we were children. Years later, I retraced her footsteps
After a car crash that saw Magnum photographer Lindokuhle Sobekwa hospitalised, his sister ran away from their home in South Africa. His new photobook, I Carry Her Photo With Me, documents his journey in search of her.
Written by: Lindokuhle Sobekwa
Inside New York City’s hedonistic 2000s skateboarding scene
New photobook, ‘Epicly Later’d’ is a lucid survey of the early naughties New York skate scene and its party culture.
Written by: Isaac Muk
Did we create a generation of prudes?
Has the crushing of ‘teen’ entertainment and our failure to represent the full breadth of adolescent experience produced generation Zzz? Emma Garland investigates.
Written by: Emma Garland
How to shoot the world’s most gruelling race
Photographer R. Perry Flowers documented the 2023 edition of the Winter Death Race and talked through the experience in Huck 81.
Written by: Josh Jones
An epic portrait of 20th Century America
‘Al Satterwhite: A Retrospective’ brings together scenes from this storied chapter of American life, when long form reportage was the hallmark of legacy media.
Written by: Miss Rosen