In Pictures: Bikers, punks and goths in Tbilisi
- Text by Joshua Gabert-Doyon
- Photography by Onnik James Krikorian
Photographer Onnik Krikorian’s new photo series comes in two parts: the first part consisted of Krikorian investigating the Cross Riders motorcycle club the second part, on the punk and goth scene of the Georgian capital Tbilisi. Krikorian wanted to explore the emergent subcultures of Tbilisi, which he saw as “a reflection on the level of democracy and room for carving out an alternative path in life. Even so, interestingly enough, even those among the subcultures I photograph consider that the environment around them is not open, diverse, or tolerant enough.”
It’s an attempt to expand the common understanding of Georgia as “picture-postcard perfect,” says Krikorian. Georgia has long been considered pro-West he explains, but there’s still a strong influence from the Georgian Orthodox Church, which has strong ties to the Russian Orthodox church. Georgia is hardly the static, backwoods nation it’s made out to be.
“Whenever you see ‘positive’ photographs of Georgia, and also Armenia and Azerbaijan, it’s generally either of historical and cultural monuments or the residents of scenic but poverty-stricken villages. That’s fine, and I’ve done that too, but in Georgia especially there’s also the tendency for photographers to present an image of a sophisticated Georgian-culture centric population which clearly represents only a small section of a population struggling to get by. And the guys and girls hanging out in the punk or biker scene can hardly be considered upwardly mobile. Some of them don’t even have money for beer priced 3 GEL ($1.20).”
Krikorian has been covering the South Caucasus since 1994: he’s covered psychiatric hospitals, conflicts in the mountainous Nagorno-Karabakh region, the Russian invasion of Georgia, the precarious condition of the Kurds in Turkey, and widespread poverty in Armenia.
“My main influences are British war photographer Don McCullin and Dorothea Lange, who documented the hardship during the Dust Bowl,” says Krikorian. “The work of Clay Enos in documenting night life in the United States was also something that made me think there was something similar that could be done here.”
Check out some of his photos from the series (first published by Radio Free Europe) below:
Latest on Huck
Exploring the impact of colonialism on Australia’s Indigenous communities
New exhibition, ‘Under a Southern Star: Identity and Environment in Australian Photography’ interrogates the use of photography as a tool of objectification and subjugation.
Written by: Miss Rosen
My sister disappeared when we were children. Years later, I retraced her footsteps
After a car crash that saw Magnum photographer Lindokuhle Sobekwa hospitalised, his sister ran away from their home in South Africa. His new photobook, I Carry Her Photo With Me, documents his journey in search of her.
Written by: Lindokuhle Sobekwa
Inside New York City’s hedonistic 2000s skateboarding scene
New photobook, ‘Epicly Later’d’ is a lucid survey of the early naughties New York skate scene and its party culture.
Written by: Isaac Muk
Did we create a generation of prudes?
Has the crushing of ‘teen’ entertainment and our failure to represent the full breadth of adolescent experience produced generation Zzz? Emma Garland investigates.
Written by: Emma Garland
How to shoot the world’s most gruelling race
Photographer R. Perry Flowers documented the 2023 edition of the Winter Death Race and talked through the experience in Huck 81.
Written by: Josh Jones
An epic portrait of 20th Century America
‘Al Satterwhite: A Retrospective’ brings together scenes from this storied chapter of American life, when long form reportage was the hallmark of legacy media.
Written by: Miss Rosen