In prison, painting is freedom
- Text by HUCK HQ
- Photography by Jordi Ruiz Cirera
The instant you hear Chris Wilson’s voice, you know this is a man worn and weathered by hard experience.
Drugs and dabbling in petty crime in the Mission and Tenderloin were his rights of passage. He landed in prison at 16 after being caught in a stolen car.
He was born in Newcastle-Upon-Tyne, he lived in Ghana and Tanzania until he was 10, when his family move to California. Then things fell apart: his parents split, his dad had a mental breakdown and Chris was left to fend for himself.
With a junkie’s rap sheet filled with multiple counts of resisting arrest, overdosing, possession, conspiracy and burglary, Chris did four stints in California’s infamous San Quentin prison before being deported to England in 1998.
Prison, he found, is a place where creativity flourishes in many ways. “I wasn’t part of any bullshit gang, I wasn’t Aryan Brotherhood or anything like that,” he remembers, as he paints in his Brixton studio. “I was freer, I could walk my own walk.”
Some invent gangs to survive, some create art. Chris, for instance, learned from other inmates how to make paint tints from crushing material that were on hand, like Skittles.
Now on the outside, he supports himself as a writer and a painter. He demonstrates for Huck how he creates a create a palette of colours and fashions paintbrushes by cutting his own hair and attaching it to broken cutlery.
“Creation is a place of freedom,” he says.
Subscribe to Huck’s YouTube channel to make sure you never miss another short film.
You might like

Led By Donkeys: “It’s weird when right-wing commentators get outraged by left politics at Glastonbury – what did they expect?”
Send them to Mars — With their installation in Block9 launching the billionaire class into space, we caught up with the art and activism crew to chat about the long intersection of music and politics at the festival, how wrong the tech bros are, and more.
Written by: Isaac Muk

How pop music introduced queer culture to the mainstream
The Secret Public — Between the ’50s to the ’70s, pop music was populated with scene pushers from the margins. A new book by Jon Savage explores the powerful influence of LGBTQ+ folk.
Written by: Miss Rosen

Misan Harriman: “The humanity I bear witness to is extraordinary”
Shoot the People — Following the premiere of a new film exploring the photographer’s work and driving forces, we caught up with him to chat about his rapid rise, shooting protests and the need for powerful documentarians in times of struggle.
Written by: Isaac Muk

In The Road to Patagonia, Matty Hannon holds “a mirror to the human condition”
From tip to tip — More than a surf and travel documentary, the Australian filmmaker meditates on capitalism’s pitfalls and the importance of existing within nature while embarking on a marathon journey from Alaska to Tierra del Fuego.
Written by: Sam Haddad

The Getty Center’s first exclusively queer exhibition opens today
$3 Bill: Evidence of Queer Lives — Running until September, it features paintings, ephemera, video and photography to highlight LGBTQ+ histories, culture and people from 1900 to the present day.
Written by: Isaac Muk

On Alexander Skarsgård’s trousers, The Rehearsal, and the importance of weirdos
Freaks and Finances — In the May edition of our monthly culture newsletter, columnist Emma Garland reflects on the Swedish actor’s Cannes look, Nathan Fielder’s wild ambition, and Jafaican.
Written by: Emma Garland