Radical filmmaking reveals Greece's humanitarian crisis
- Text by Robin Nierynck
- Photography by Maria Kourkouta
Athens Now! is a selection of films, curated by Stanley Schtinter that explore the Greek struggle of the past seven years, presenting a positive and creative perspective amidst fears of a European collapse.
Schtinter moved to Greece in 2014 from the UK, and has exhibited and curated work internationally, including the Institute of Contemporary Art and The Barbican. The films, which will be screened at Whitechapel Gallery, London, on 4 July, present an impression of Athens and Greece today, with different perspectives and a focus on the human capacity to mend and keep going.
“This is not some conceptual wack-job commodifying the issue,” says Stanley Schinter. “It’s a small visual companion piece to a great tragedy and injustice of our times: that of people versus an impossibilist capitalism.”
The programme consists of 11 films, including a post-apocalyptic vision of Greece, police helicopter footage of anarchists, an exploration of the rise of tourism on the island of Santorini and a documentation of the fallout of the austerity measures imposed upon Greece.
“In real terms,” Schtinter says, “Greece has demonstrated and projected a collective will for international change: practical, positive and increasingly palpable. This must be supported, protected and progressed if we want to come anywhere close to a world – outside of the cinema – worth living in.”
Concerning the power of film to help us understand issues like the Greek crisis, he notes, “I’m interested in how technological advance has liberated authorship, despite the culture being explicitly centred on the self. Who’s making the film? Does it matter? The ability to record and distribute the moving image with such ease creates ambiguity in the meaning and purpose of the work – or allows it to find its own truth.”
The exhibition will take place on 4 July only. Check the full programme for a list of all the films included.
Latest on Huck
From his skating past to sculpting present, Arran Gregory revels in the organic
Sensing Earth Space — Having risen to prominence as an affiliate of Wayward Gallery and Slam City Skates, the shredder turned artist creates unique, temporal pieces out of earthly materials. Dorrell Merritt caught up with him to find out more about his creative process.
Written by: Dorrell Merritt
In Bristol, pub singers are keeping an age-old tradition alive
Ballads, backing tracks, beers — Bar closures, karaoke and jukeboxes have eroded a form of live music that was once an evening staple, but on the fringes of the southwest’s biggest city, a committed circuit remains.
Written by: Fred Dodgson
This new photobook celebrates the long history of queer photography
Calling the Shots — Curated by Zorian Clayton, it features the work of several groundbreaking artists including Robert Mapplethorpe, Sunil Gupta, Zanele Muholi and more.
Written by: Miss Rosen
Krept & Konan: “Being tough is indoctrinated into us”
Daddy Issues — In the latest from our interview column exploring fatherhood and masculinity, UK rap’s most successful double act reflect on loss, being vulnerable in their music, and how having a daughter has got Krept doing things he’d never have imagined.
Written by: Robert Kazandjian
Vibrant polaroids of New York’s ’80s party scene
Camera Girl — After stumbling across a newspaper advert in 1980, Sharon Smith became one of the city’s most prolific nightlife photographers. Her new book revisits the array of stars and characters who frequented its most legendary clubs.
Written by: Miss Rosen
Bad Bunny: “People don’t know basic things about our country”
Reggaeton & Resistance — Topping the charts to kick off 2025, the Latin superstar is using his platform and music to spotlight the Puerto Rican cause on the global stage.
Written by: Catherine Jones