Randy Credico and the fight against private prisons
- Text by Alex Robert Ross
- Photography by Ugonma Ubani-Ebere
Aside from a few dozen city employees sitting quietly at metal tables on quick lunch breaks and the hum of distant traffic from the Brooklyn Bridge, the steps leading to the Manhattan Borough Municipal Building were uncharacteristically peaceful at 12:30 p.m. on Tuesday.
But when Randy Credico and Andres Rieloff arrived – both clad in black and white prisoners’ overalls, the latter with an acoustic guitar in hand – that peace was disturbed.
The duo was twenty minutes late to its own protest.
Credico and Rieloff comprise EpicNow, an activist group rallying against mass incarceration in New York State through traditionally disruptive means: small street protests, flyer printing, protest songs and occasional bursts of comedy.
Today their campaign focused its attention on New York City Comptroller Scott Stringer. The duo allege that Comptroller Stringer has invested heavily in private prisons around the United States with the city’s $165 billion public pension fund that he controls.
Stringer’s office declined to comment on the allegations, though they confirmed that they were aware of EpicNow’s activity.
“Take a look at the scandal of the century, folks,” shouted Credico, stuffing pink leaflets laying out the duo’s allegations into the hands of passers-by, rarely pausing to make eye contact with the public. Rieloff played background guitar throughout, occasionally interjecting by singing: “Wake up, or you’ll be singing the blues.”
A leaner figure since overcoming his drug and alcohol dependencies – he is now 78 days clean – Credico was constantly in motion during the protest. He waved his hands in the air, pointed towards Stringer’s imagined office in Municipal hall, his dark eyes growing wider every time he drew a more compelling parallel between private prisons and a horrific historical event.
“Scott Stringer: Prison Man,” he shouted at one point. “He would have invested in slavery, Germany, Apartheid[…] Look what this sick man did.”
The protest took a bizarre turn at 1:15 p.m. when Oklahoma City Thunder point guard and four-time NBA All-Star Russell Westbrook arrived for a fashion photo shoot and posed no more than three feet away from Credico and Rieloff.
Westbrook declined to comment on the protest, but turned around and was visibly perturbed when Credico compared Stringer’s alleged investment choices to “modern slavery.”
Other than this unfamiliar occurrence – “Dennis Rodman is here,” said Credico, “I didn’t know he was still going” – much of this was well-worn political territory for the 61-year-old activist.
A working comedian for over four decades and the subject of the Jack Black-produced documentary Sixty Spins Around The Sun, he ran for the US Senate and for Mayor of New York before pulling in 3.6% of votes in the 2014 New York gubernatorial race, keeping mass incarceration near the top of his agenda throughout.
Paul DeRienzo, the co-host and director of Manhattan Neighbourhood Network’s Let Them Talk echoed the sentiments of his long-time friend, Credico: “There should be no financial incentive to putting people in jail,” he said whilst Credico continued his improvised monologue. “What’s happened to our country? Is it just a crazed militaristic police state?”
Though the pedestrian traffic past the protest mostly comprised city employees, many of whom worked beneath Stringer in the Comptroller’s office, others engaged with the activists and shouted messages of support.
Jason Lahamata, a twenty-five year-old Long Island City resident, said that he was encouraged by the duo’s actions, though his energies were spread more disparately than those of the protesters themselves: “I feel there should be more protests like this,” he said. “There are a lot of jackasses out there on Wall Street trying to take our money[…] I have an open interest to hit the street.”
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
Exploring the impact of colonialism on Australia’s Indigenous communities
New exhibition, ‘Under a Southern Star: Identity and Environment in Australian Photography’ interrogates the use of photography as a tool of objectification and subjugation.
Written by: Miss Rosen
My sister disappeared when we were children. Years later, I retraced her footsteps
After a car crash that saw Magnum photographer Lindokuhle Sobekwa hospitalised, his sister ran away from their home in South Africa. His new photobook, I Carry Her Photo With Me, documents his journey in search of her.
Written by: Lindokuhle Sobekwa
Inside New York City’s hedonistic 2000s skateboarding scene
New photobook, ‘Epicly Later’d’ is a lucid survey of the early naughties New York skate scene and its party culture.
Written by: Isaac Muk
Did we create a generation of prudes?
Has the crushing of ‘teen’ entertainment and our failure to represent the full breadth of adolescent experience produced generation Zzz? Emma Garland investigates.
Written by: Emma Garland
How to shoot the world’s most gruelling race
Photographer R. Perry Flowers documented the 2023 edition of the Winter Death Race and talked through the experience in Huck 81.
Written by: Josh Jones
An epic portrait of 20th Century America
‘Al Satterwhite: A Retrospective’ brings together scenes from this storied chapter of American life, when long form reportage was the hallmark of legacy media.
Written by: Miss Rosen