Reflections on Nigeria’s historic presidential election

Reflections on Nigeria’s historic presidential election
from documentary photographer Jason Andrew — Fears of Boko Haram, vote rigging and political violence couldn’t stop Nigerians from voting for the country’s first democratic transfer of power.

On 28–29 March, Nigerians voted for the country’s first democratic transfer of power and elected Muhammadu Buhari as their new president.

Fears of Boko Haram attacks, vote rigging and a repeat of the violence that marred the 2011 elections raised tensions in the run up to the poll, and many held doubts that incumbent Goodluck Jonathan would agree to a peaceful transfer of power if defeated.

Documentary photographer Jason Andrew covered the story for The Wall Street Journal from the Northern Adamawa State, the site of recent Boko Haram attacks, and was struck by Nigerians’ patience and determination to make their voices heard despite the many challenges.

Goodluck Jonathan’s PDP party have ruled since the military handed power to a civilian government in 1999 and previous polls have been overshadowed by corruption, intimidation, vote rigging and interference by the military.

Incoming president Muhammadu Buhari, a 72-year-old former military ruler, has a big challenge on his hands to press ahead with reform while trying to contain the Islamist insurgency in the North but his election represents a major step forward for Africa’s most populous nation.

What brought you to Nigeria?
I came to Nigeria on assignment for The Wall Street Journal to cover the elections. I initially traveled to Nigeria in February expecting the elections to happen on the 14th. When they were postponed by six weeks, it gave me the opportunity to begin working on two long-term projects that I’m exploring in the North and South of the country right now. They’re both very different stories but they’re keeping me close to Nigeria which I like.

What was the atmosphere on the street leading up the elections?
The atmosphere on the street was one of both anticipation for a positive change and fear that this years elections would see a repeat the violence in 2011, which they didn’t. On voting day, we traveled to Gombi in Adamawa state which was attacked by Boko Haram as early as this month. The community was protected by hundreds of local vigilantes who were making sure the voting went smoothly. It was amazing to watch how peaceful and calm everyone was. Gombi is a long way from getting back to normal but for everyone in the community, these peaceful elections were a great start.

I was surprised that everyone expected GLJ to give up power if he lost, something I didn’t think he would do.

Have have you covered the story? Was there anything that particularly stood out for you?
I covered the story on assignment and the aspect that stood out most was the amount of patience shown by all Nigerians. I covered the elections from Yola, in Nigeria’s north which is struggling with over three hundred thousand internally displaced people (IDP) and it was amazing to watch how patient and proud they were to vote.

Now the result has been delivered, is there a sense that this is a landmark event – the country’s first democratic transfer of power?
This was definitely a landmark event for Nigeria and Nigerians all around the world. People came out in droves to vote, without fear of Boko Haram attacks.

Any personal reflections? You’ve covered some quite depressing stories from Africa in the past – do you feel this is a story of hope?
I think this is a story of hope and resilience from a country that has gone through a lot and will continue to in the future. Not only are Nigerians dealing with massive government corruption, poor infrastructure and the threat of Boko Haram in the North but also the largest IDP population in all of Africa, according to the IDMC and the Norwegian Refugee Council. The country will have its hands full moving forward but I look forward to seeing how the country stands in the next 12 months.

Find out more about Jason Andrew’s work.

Latest on Huck

Ragnar Axelsson’s thawing vision of Arctic life
Culture

Ragnar Axelsson’s thawing vision of Arctic life

At the Edge of the World — For over four decades, the Icelandic photographer has been journeying to the tip of the earth and documenting its communities. A new exhibition dives into his archive.

Written by: Cyna Mirzai

ATMs & lion dens: What happens to Christmas trees after the holiday season?
Culture

ATMs & lion dens: What happens to Christmas trees after the holiday season?

O Tannenbaum — Nikita Teryoshin’s new photobook explores the surreal places that the festive centrepieces find themselves in around Berlin, while winking to the absurdity of capitalism.

Written by: Isaac Muk

Resale tickets in UK to face price cap in touting crackdown
News

Resale tickets in UK to face price cap in touting crackdown

The move, announced today by the British government, will apply across sport, music and the wider live events industry.

Written by: Isaac Muk

Nearly a century ago, denim launched a US fashion revolution
Culture

Nearly a century ago, denim launched a US fashion revolution

The fabric that built America — From its roots as rugged workwear, the material became a society-wide phenomenon in the 20th century, even democratising womenswear. A new photobook revisits its impact.

Written by: Miss Rosen

A forlorn portrait of a Maine fishing village forced to modernise
Culture

A forlorn portrait of a Maine fishing village forced to modernise

Sealskin — Jeff Dworsky’s debut monograph ties his own life on Deer Isle and elegiac family story with ancient Celtic folklore.

Written by: Miss Rosen

Subversive shots of Catholic schoolgirls in ‘80s New York
Culture

Subversive shots of Catholic schoolgirls in ‘80s New York

Catholic Girl — When revisiting her alma mater, Andrea Modica noticed schoolgirls finding forms of self-expression beyond the dress code. Her new photobook documents their intricate styles.

Written by: Isaac Muk

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now