Inside the first radio network made for, and by, refugees
- Text by Asher Kessler
- Photography by Asher Kessler
Larry Macauley is a busy man. Originally from Nigeria, he arrived on Italian shores in 2014, where he was “shocked” by how few Europeans had any idea about the poor conditions faced by refugees. In an effort to spread their story, he experimented with activist-led street theatre, before channelling his energy into a radio network that would inform Europeans and migrants alike on the rapidly changing developments. Within 18 months, Larry had founded the Refugee Radio Network – the first online media platform made for refugees, by refugees.
Today, Larry arrives 45 minutes late to our interview, apologising and reiterating how busy he is. As we rise through the graffiti-covered walls of RRN’s Hamburg-based building, Larry explains his reasons – telling me that he’s in the middle of organising a conference on migration and media awareness in Hamburg, creating a new reality TV show, and of course, running RRN.
Over the last three years, Larry has been the editor-in-chief and head of production for RRN. Originally just a two-hour show, the station’s growing exposure led to a dramatic increase in phone-ins from refugees all around the world offering updates on their situations. RRN quickly expanded, and Larry began travelling around Europe giving workshops on radio production and inviting refugees to make content about their situations.
While primarily a media platform for refugees, RRN is also a political force in Hamburg, Germany and wider Europe. Larry recollects how, frustrated by the lack of migrant input in the political debate and decision-making process over migrant-related issues, RRN began crashing politician’s meetings with slogans and chants. “They were like ‘huh? Can they do this?’” he remembers.
Although in the last three years there has been some progress in migrant and minority representation in the conversation over refugee integration in Europe, there is still a long way to go. Larry notes that the mainstream media has increasingly been propagating a negative narrative of refugees – which has made the role of RRN even more important. “We started fighting [the media] hard,” he says. “We started fighting the political class hard here, the political structures.”
Across Europe, xenophobia is rising – and last month in the German elections, the AFD became the first far-right party to enter the Bundestag in 60 years. “Another can of worms has opened up, which is this xenophobic attitude, this nationalistic thing biting into European society,” Larry adds.
Politicians, he says, are partly to blame for the rise of the far-right. Larry explains that he has seen migrants and refugees become pawns in a political game and that “people have died as a result of these kinds of xenophobic talks by politicians.” For him, the best way of responding is to “isolate and contain them.”
“I tell them, if you don’t like me, no problem,” he says of far-right politicians. “I will not stay in your town or your city and I encourage all foreigners not to stay in your town or your city. Stay alone – it is your cancer, live with it and die with it.”
When it comes to the future, Larry is not positive. He believes that the problem lies in the failure of world powers to deal with the root causes of migration. He also worries about tensions in Nigeria: of a rising radicalism and a growing number of young people without money and prospects. “We have 60 million youths in my country alone, an army of the oppressed, young people who don’t have jobs… those youths now are hungry.” He takes a pause, before warning: “the chaos is coming, really.”
Chaos aside, Larry and the RRN are doing what they can to offer an alternative narrative to the one often associated with refugees in Europe. It’s political rather than charitable, encouraging people to reclaim agency, represent their community and – of course – play great music.
As a consequence, RRN has been hugely successful at highlighting the real and varied conditions which refugees – whether they be Afghani, Syrian, Eritrean or Nigerian – are facing in countries across Europe. Larry, in particular, promises to keep busy, and tells me that he will keep doing what he can to encourage refugees to be “active, visible, and to develop themselves in these new societies.”
Follow Asher Kessler on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
Exploring the impact of colonialism on Australia’s Indigenous communities
New exhibition, ‘Under a Southern Star: Identity and Environment in Australian Photography’ interrogates the use of photography as a tool of objectification and subjugation.
Written by: Miss Rosen
My sister disappeared when we were children. Years later, I retraced her footsteps
After a car crash that saw Magnum photographer Lindokuhle Sobekwa hospitalised, his sister ran away from their home in South Africa. His new photobook, I Carry Her Photo With Me, documents his journey in search of her.
Written by: Lindokuhle Sobekwa
Inside New York City’s hedonistic 2000s skateboarding scene
New photobook, ‘Epicly Later’d’ is a lucid survey of the early naughties New York skate scene and its party culture.
Written by: Isaac Muk
Did we create a generation of prudes?
Has the crushing of ‘teen’ entertainment and our failure to represent the full breadth of adolescent experience produced generation Zzz? Emma Garland investigates.
Written by: Emma Garland
How to shoot the world’s most gruelling race
Photographer R. Perry Flowers documented the 2023 edition of the Winter Death Race and talked through the experience in Huck 81.
Written by: Josh Jones
An epic portrait of 20th Century America
‘Al Satterwhite: A Retrospective’ brings together scenes from this storied chapter of American life, when long form reportage was the hallmark of legacy media.
Written by: Miss Rosen