The secretive street artist who made ’80s NYC his canvas

The secretive street artist who made ’80s NYC his canvas
Shadowman — After moving to the city in 1979, Richard Hambleton – alongside the likes of Basquiat and Keith Haring – became a pioneer in New York’s street art movement. Now, a new exhibition is celebrating his legacy.

While many artists operating in the ’80s sought out and courted publicity, Richard Hambleton actively avoided it.

Despite moving in the same New York circles as the likes of Basquiat, Keith Haring and co, Hambleton (who died in 2017, aged 65) refused to pursue the same kind of attention. Instead, he preferred – quite literally – to remain in the shadows.

Playing on the paranoia that plagued NYC in the ’80s, he would hijack the city’s walls, painting large, ominous silhouettes in corners, nooks and alleyways, with the purpose of shocking unsuspecting passers-by. At the time, his ‘shadowmen’ – as the works came to be known – were renowned throughout New York.

© Susan Aimee Weinik/The LIFE Images Collection/Getty Images

Now, a new exhibition at London’s Leake Street Arches and Maddox Gallery is celebrating Hambleton’s life and work. Titled Richard Hambleton: Shadowman, the solo show is the first major gallery exhibition since his death, featuring rare and previously unseen work as well as photography, lightbox instillations, newly released prints and original pieces.   

“It’s so important to appreciate the impact of an artist like Richard Hambleton. His reputation wasn’t built by courting the industry, he was a genuine trailblazer,” says Jay Rutland, Creative Director at Maddox Gallery.

“When you think of the 1980s New York art scene, you inevitably think of Basquiat, Haring. Hambleton belongs in that revered group… A close friend of his once said that he’d sleep in a bag on the street so long as he had paint supplies.”

Born in Vancouver in 1952, Hambleton moved to New York at the tailend of the ’70s. Along with his aforementioned contemporaries, he helped pioneer the street art movement that the city became synonymous with during the 1980s, gaining notoriety for his shadowman wall murals.

Though he battled with addiction and experienced periods of homelessness, he continued creating conceptual art until his death. Today, he is considered one of the first street artists to have attracted the attention of the commercial world, even with his preference to remain away from the limelight.

“Without him, I honestly don’t know if we would have a language for street art – the culturally subversive stuff it’s so famous for. He gave us that. He created this completely fresh mix of street and performance art,” adds Rutland.  

“Street art owes a debt to Richard Hambleton, without doubt. He’s such a unique figure. I just want more people to know his name, because they will already recognise his influence – it’s unmistakable.”  

Richard Hambleton: Shadowman is showing at London’s Leake Street Arches from 13 – 15 September and Maddox Gallery from 20 – 30 September, 2018. 

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

Latest on Huck

In a city of rapid gentrification, one south London estate stands firm
Culture

In a city of rapid gentrification, one south London estate stands firm

A Portrait of Central Hill — Social housing is under threat across the British capital. But residents of the Central Hill estate in Crystal Palace are determined to save their homes, and their community.

Written by: Alex King

Analogue Appreciation: Maria Teriaeva’s five pieces that remind her of home
Culture

Analogue Appreciation: Maria Teriaeva’s five pieces that remind her of home

From Sayan to Savoie — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. First up, the Siberian-born, Paris-based composer and synthesist.

Written by: Maria Teriaeva

Petition to save the Prince Charles Cinema signed by over 100,000 people in a day
Activism

Petition to save the Prince Charles Cinema signed by over 100,000 people in a day

PCC forever — The Soho institution has claimed its landlord, Zedwell LSQ Ltd, is demanding the insertion of a break clause that would leave it “under permanent threat of closure”.

Written by: Isaac Muk

Remembering Taboo, the party that reshaped ’80s London nightlife
Music

Remembering Taboo, the party that reshaped ’80s London nightlife

Glitter on the floor — Curators Martin Green and NJ Stevenson revisit Leigh Bowery’s legendary night, a space for wild expression that reimagined partying and fashion.

Written by: Cyna Mirzai

A timeless, dynamic view of the Highland Games
Sport

A timeless, dynamic view of the Highland Games

Long Walk Home — Robbie Lawrence travelled to the historic sporting events across Scotland and the USA, hoping to learn about cultural nationalism. He ended up capturing a wholesome, analogue experience rarely found in the modern age.

Written by: Isaac Muk

The rave salvaging toilets for London’s queers
Music

The rave salvaging toilets for London’s queers

Happy Endings — Public bathrooms have long been contested spaces for LGBTQ+ communities, and rising transphobia is seeing them come under scrutiny. With the infamous rave-in-a-bog at an east London institution, its party-goers are claiming them for their own.

Written by: Ben Smoke

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now