Seven artists, 70 years of social and cultural history
- Text by Robin Nierynck
- Photography by Hayward Gallery - see captions
For History Is Now: 7 Artists Take On Britain, several leading artists took on the task of curating a section of the exhibition, bringing together other artists’ work and their own creative vision to illuminate key moments in British history.
John Akomfrah, Simon Fujiwara, Roger Hiorns, Hannah Starkey, Richard Wentworth and Jane and Louise Wilson assembled over 250 objects from public and private art collections and everyday artefacts, including maps, newspapers, films, and personal diaries.
The topics explored in the various sections range from Cold War, post-Thatcherite society, protest movements and feminism to ‘mad cow disease’, consumerism and celebrity culture.
Provoking new ways of thinking about how we got to where we are today, the exhibition simultaneously reevaluates the nature of art installations and how they convey cultural ideas. Huck spoke to the exhibition’s curator Dr. Cliff Lauson.
Is art a particularly effective medium to reflect on the past? Can it help us understand the future?
Art is never made in a vacuum and reflects the times and society that it was made in. Numerous artworks included in History Is Now explicitly address social change, and many objects selected by the artist-curators are not artworks at all, but historical artefacts. These are all aimed at helping us to recall and to better understand the past, with a view to making more informed decisions about the future.
How does the fact that the artists didn’t use their own work reflect on the exhibition as a whole?
By asking artists to act as curators for the exhibition, they looked outwards to historical artworks and objects that best fit the themes that they were interested in exploring. In some cases this was a highly personal selection and also reflected in the artists’ own practice, but generally speaking their roles were more oriented toward research and selection than production.
As curator, what were the challenges in presenting these diverse artists’ work together? How did you overcome those challenges?
The challenge posed by History Is Now is to look across seven decades of history, a long period of time by any account. This was made more specific and dynamic by inviting artists to explore the ideas, episodes, and themes that they felt were the most interesting ones to explore. The result is a series of moments through time; a number of snapshots rather than an encyclopaedic compendium.
History is Now runs until 26 April, in the Hayward Gallery, London.
Latest on Huck
Inside the world’s only inhabited art gallery
The MAAM Metropoliz — Since gaining official acceptance, a former salami factory turned art squat has become a fully-fledged museum. Its existence has provided secure housing to a community who would have struggled to find it otherwise.
Written by: Gaia Neiman
Ideas were everything to David Lynch
Dreamweaver — On Thursday, January 16, one of the world’s greatest filmmakers passed away at the age of 78. To commemorate his legacy, we are publishing a feature exploring his singular creative vision and collaborative style online for the first time.
Written by: Daniel Dylan Wray
“The world always shuns”: Moonchild Sanelly on her new album, underground scenes and abortion rights
Huck’s January interview — Ahead of ‘Full Moon’, her most vulnerable project yet, we caught up with the South African pop star to hear about opening up in her music, confronting her past and her fears for women’s rights in 2025.
Written by: Isaac Muk
Krept & Konan are opening an “inclusive” supermarket
Saveways — With 15,000 sq. ft of space and produce from across the world, the store will cater to Black, Asian and ethnic communities in Croydon.
Written by: Isaac Muk
This erotic zine dismantles LGBTQ+ respectability politics
Zine Scene — Created by Megan Wallace and Jack Rowe, PULP is a new print publication that embraces the diverse and messy, yet pleasurable multitudes that sex and desire can take.
Written by: Isaac Muk
As Tbilisi’s famed nightclubs reawaken, a murky future awaits
Spaces Between the Beats — Since Georgia’s ruling party suspended plans for EU accession, protests have continued in the capital, with nightclubs shutting in solidarity. Victor Swezey reported on their New Year’s Eve reopening, finding a mix of anxiety, catharsis and defiance.
Written by: Victor Swezey