Stephanie Gilmore cruised to her first surfing world championship victory aged just 17, but life ever since has rarely been that simple.
New documentary Stephanie in the Water offers an intimate portrait of the five time ASP world champion and documents the huge personal struggle she’s faced to stay on top.
Huck spoke to the film’s editor Isabel Freeman for the lowdown on the film that will be released digitally on August 5.
How does the film show an unseen side to Stephanie Gilmore?
People in the surf world know a lot about Stephanie’s career and her success, but we happened to be shooting during a difficult time in her personal life. I think we show a side of her that isn’t commonly exposed by professional athletes. I think the film also stands out because it was produced, directed and edited by women. We made a real effort to not objectify Stephanie or sexualise the sport in any way, and that’s pretty rare in women’s surfing.
What’s your favourite scene from the film?
The scenes I loved editing most were all the surfing sections, but my favourite scene in the film is when Stephanie presents the World Title trophy to her successor after a four year winning streak. During that time in the shooting, all of us felt very invested in Stephanie’s life and I think that comes across in this scene.
What were the challenges in representing Stephanie’s life on film?
Ava had been shooting for almost two years before we started editing, and another two years beyond that. Over time, the story shifted more than once, and whole sections of the film were no longer necessary. We had to let go of some of our favourite things, and learned that being attached to a scene or a shot doesn’t mean much in the end.
Stephanie In The Water directed by Ava Warbrick is out on digital release August, 5.
Latest on Huck
Ghais Guevara: “Rap is a pinnacle of our culture”
What Made Me — In our new series, we ask artists and rebels about the forces and experiences that have shaped who they are. First up, Philadelphian rap experimentalist Ghais Guevara.
Written by: Ghais Guevara
Gaza Biennale comes to London in ICA protest
Art and action — The global project, which presents the work of over 60 Palestinian artists, will be on view outside the art institution in protest of an exhibition funded by Bloomberg Philanthropies.
Written by: Cyna Mirzai
Ragnar Axelsson’s thawing vision of Arctic life
At the Edge of the World — For over four decades, the Icelandic photographer has been journeying to the tip of the earth and documenting its communities. A new exhibition dives into his archive.
Written by: Cyna Mirzai
ATMs & lion dens: What happens to Christmas trees after the holiday season?
O Tannenbaum — Nikita Teryoshin’s new photobook explores the surreal places that the festive centrepieces find themselves in around Berlin, while winking to the absurdity of capitalism.
Written by: Isaac Muk
Resale tickets in UK to face price cap in touting crackdown
The move, announced today by the British government, will apply across sport, music and the wider live events industry.
Written by: Isaac Muk
Nearly a century ago, denim launched a US fashion revolution
The fabric that built America — From its roots as rugged workwear, the material became a society-wide phenomenon in the 20th century, even democratising womenswear. A new photobook revisits its impact.
Written by: Miss Rosen