For Thurston Moore, community is everything

For Thurston Moore, community is everything
Things I Learned Along The Way — Huck's Fiftieth Special collects lessons learned and creative advice from fifty of the most inspiring people we know. Each day we'll be sharing a new excerpt from the magazine. Today: How former Sonic Youth frontman Thurston Moore found craziness and creativity, but most importantly community, when he arrived in New York City at the height of punk.

#6 – Thurston Moore

As the frontman of the seminal Sonic Youth, Thurston Moore helped cultivate a DIY music scene that broke indie overground. After moving to New York City, he idolised the icons of punk, whose example helped set the template for Sonic Youth. Community, he reflects, is everything:

“In those days you had to go to the city to get recognised for your work. The cities were impoverished so it didn’t necessitate having money so much, you could sort of live with all the other impoverished artists. And there was a certain glory to that. It was romantic. There was no ambition towards making money. There were ambitions towards being recognised but the idea of doing it for any sort of revenue was unheard of. Moving to New York, my models were people like Lou Reed, Richard Hell and Patti Smith. And these were people who were living hand to mouth, they had no money. But they certainly had recognition. They were very honourable people. Your goal was to be recognised for your work, not how much money you made. But that changed. Every country needed to save its cities so they were turned into high-rent residential territories.”

This is just a short excerpt from Huck’s Fiftieth Special, a collection of fifty personal stories from fifty inspiring lives. 

Grab a copy now to read all fifty stories in full. Subscribe to make sure you don’t miss another issue.

Latest on Huck

Exploring the impact of colonialism on Australia’s Indigenous communities
Photography

Exploring the impact of colonialism on Australia’s Indigenous communities

New exhibition, ‘Under a Southern Star: Identity and Environment in Australian Photography’ interrogates the use of photography as a tool of objectification and subjugation.

Written by: Miss Rosen

My sister disappeared when we were children. Years later, I retraced her footsteps
Photography

My sister disappeared when we were children. Years later, I retraced her footsteps

After a car crash that saw Magnum photographer Lindokuhle Sobekwa hospitalised, his sister ran away from their home in South Africa. His new photobook, I Carry Her Photo With Me, documents his journey in search of her.

Written by: Lindokuhle Sobekwa

Inside New York City’s hedonistic 2000s skateboarding scene
Photography

Inside New York City’s hedonistic 2000s skateboarding scene

New photobook, ‘Epicly Later’d’ is a lucid survey of the early naughties New York skate scene and its party culture.

Written by: Isaac Muk

Did we create a generation of prudes?
Culture

Did we create a generation of prudes?

Has the crushing of ‘teen’ entertainment and our failure to represent the full breadth of adolescent experience produced generation Zzz? Emma Garland investigates.

Written by: Emma Garland

How to shoot the world’s most gruelling race
Photography

How to shoot the world’s most gruelling race

Photographer R. Perry Flowers documented the 2023 edition of the Winter Death Race and talked through the experience in Huck 81.

Written by: Josh Jones

An epic portrait of 20th Century America
Photography

An epic portrait of 20th Century America

‘Al Satterwhite: A Retrospective’ brings together scenes from this storied chapter of American life, when long form reportage was the hallmark of legacy media.

Written by: Miss Rosen

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now