Capturing local life in Spain’s most ancient, spiritual city
- Text by Daniele d'Ingeo
- Photography by Daniele d'Ingeo
It is estimated that over 200,000 pilgrims go through the several paths leading to Santiago de Compostela every year. Wayfarers from all over the world walk – or cycle – from as much as 1000 km to as little as 100 to honour the relics of Saint James the Great, believed to be buried in the main cathedral of the town.
Besides religious purposes, many embark on this journey for the adventure itself: the hiking and backpacking, as well as the thrill of following over 12-centuries-old footsteps. The most ancient route, the Camino Primitivo, also known as “the original one,” runs from the city of Oviedo and remains the most untouched to date.
The branded signage and souvenir shops of Santiago de Compostela – filled with the renowned ‘scallop shell’ merchandising – still haven’t quite spoiled the city. Here, you can experience the harshness and poise of an ancient trail where nature and man still coexist in immaculate balance. Deep forests and windy hillsides lead from one small village to the next one, and the constant and surreal quietness of the places on these paths seem to only be disturbed by the recurring greetings from the locals you run into on the way.
As you go along the path to the city you learn to greet the locals first: “Buenos Dias”,“Buen Camino.” Farmers, small shops and bars attendants, landowners – these people, who are mostly elderly, have been the watchmen of this holy ground since the very beginning. The complicity and mutual respect with the wanderers define their identity and the identity of the journey itself.
The inhabitant’s wisdom and hospitality is the real treasure of this physically challenging but rewarding experience. At the table with apple cider and lentil soups, you learn stories of simplicity and great determination. Walking towards the final destination, reality feels frozen in an undetermined past. Hiking through the fields and finding yourself in lively village fêtes, you return to a time of purity and nostalgia.
This journey is much more about going back than it is about moving forward. And when you finally make it to the end, with the fatigue and the marks of the challenge, you know very well who you are and who you have been, before knowing where you will go from there.
See more of Daniele d’Ingeo’s work on his official website, or follow him on Instagram.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
Exploring the impact of colonialism on Australia’s Indigenous communities
New exhibition, ‘Under a Southern Star: Identity and Environment in Australian Photography’ interrogates the use of photography as a tool of objectification and subjugation.
Written by: Miss Rosen
My sister disappeared when we were children. Years later, I retraced her footsteps
After a car crash that saw Magnum photographer Lindokuhle Sobekwa hospitalised, his sister ran away from their home in South Africa. His new photobook, I Carry Her Photo With Me, documents his journey in search of her.
Written by: Lindokuhle Sobekwa
Inside New York City’s hedonistic 2000s skateboarding scene
New photobook, ‘Epicly Later’d’ is a lucid survey of the early naughties New York skate scene and its party culture.
Written by: Isaac Muk
Did we create a generation of prudes?
Has the crushing of ‘teen’ entertainment and our failure to represent the full breadth of adolescent experience produced generation Zzz? Emma Garland investigates.
Written by: Emma Garland
How to shoot the world’s most gruelling race
Photographer R. Perry Flowers documented the 2023 edition of the Winter Death Race and talked through the experience in Huck 81.
Written by: Josh Jones
An epic portrait of 20th Century America
‘Al Satterwhite: A Retrospective’ brings together scenes from this storied chapter of American life, when long form reportage was the hallmark of legacy media.
Written by: Miss Rosen