Capturing the camaraderie of London’s illegal car meet scene

Capturing the camaraderie of London’s illegal car meet scene
Hot wheels — Once a month, a group of young petrolheads gather in a car park after-hours to show off and stunt – before the police shut them down. However, rather than an act of rebellion, it’s a chance for the drivers to belong to a community in which they can truly express themselves.

Find yourself in the right part of West London, at the right time, on the right Sunday evening, and you might just stumble into a scene that feels like it’s been ripped straight from a Vin Diesel movie.

The West London Meet, as it’s come to be known, is a monthly car drifting event that was first launched by a group of young petrolheads back in 2017. The premise is simple: turn up at the pre-arranged location, show off, enjoy. That is, until the police shut it down.

Usually taking place in car parks after-hours, the event can see over 100 cars in attendance, complete with all of the modifications – bumpers, rims, stickers, tints – that one would usually expect.

Turtle_ProRes_171206-9 copyWhen it comes to the drivers (predominantly: young British Asian men, in their late teens and early twenties), it’s about being able to express themselves in a free and open environment as well as the opportunity to belong to a vast, like-minded community of people who share their passion.

For filmmaker Fanny Hoetzeneder, cars – drifting, in particular – have always been a subject of interest. Growing up in “a small French town”, the local drifters, when they appeared, provided some much-needed excitement. Even when you couldn’t see them, you could hear the roar of their engines.

So, years later, when she was living in London and working on a shoot in that happened to neighbour a local drifting get-together, her interest was reignited. After months of trawling through social media, she was eventually put in touch with the West London boys, who were more than happy to appear on camera.

Turtle_ProRes_171206-7B copy Turtle_ProRes_171206-4 copy“I was just craving making this project, so we just took it on,” she explains. “The energy there is very interesting, the people there are interesting.”

“Because it feels like an underground world, you’re not sure what you’re going to get, but they’re just people having fun. It’s about being together with friends and people who have that passion.”

The result is a visual which appears in the form of a music video for ‘Bloodtype’, a track from Scottish producer Turtle. Shot on-site during one of the events, Hoetzeneder’s video captures the smoke, stunts of the West London scene with visceral energy.

It also puts the drivers themselves at front at centre, emphasising the community and camaraderie of the meet.

“When people spend time, effort and money to create their dream car, they need a place to show it off,” explains one of the founding drivers, who prefers not to give his name.

“The meets are important to us as they bring a lot of the community together in one small space, where people can express themselves and make local connections. West London Meet is becoming an event that an increasing number of people, close or far, look forward to more often.”

Turtle_ProRes_171206-8 copy Turtle_ProRes_171206-5 copyFor both the drivers and Hoetzeneder, it’s agreed that events go much further than drifting. It’s about the creation of a space where young people can belong and express themselves, channelling energy into a positive action. And, despite the best efforts of authorities, it will continue to do that for as long as they need it.

“I bonded with it because I could see that these people were fighting for their passion,” Hoetzeneder adds.

“What they were doing was illegal – they’re not really supposed to meet up like this – but they’ve made each other strong by being together. They’re fighting for this to prevail, in a way, and that’s what I thought was really beautiful.”

Turtle_ProRes_171206-1B copySee more of Fanny Hoetzeneder’s work on her official website.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

Latest on Huck

Exploring the impact of colonialism on Australia’s Indigenous communities
Photography

Exploring the impact of colonialism on Australia’s Indigenous communities

New exhibition, ‘Under a Southern Star: Identity and Environment in Australian Photography’ interrogates the use of photography as a tool of objectification and subjugation.

Written by: Miss Rosen

My sister disappeared when we were children. Years later, I retraced her footsteps
Photography

My sister disappeared when we were children. Years later, I retraced her footsteps

After a car crash that saw Magnum photographer Lindokuhle Sobekwa hospitalised, his sister ran away from their home in South Africa. His new photobook, I Carry Her Photo With Me, documents his journey in search of her.

Written by: Lindokuhle Sobekwa

Inside New York City’s hedonistic 2000s skateboarding scene
Photography

Inside New York City’s hedonistic 2000s skateboarding scene

New photobook, ‘Epicly Later’d’ is a lucid survey of the early naughties New York skate scene and its party culture.

Written by: Isaac Muk

Did we create a generation of prudes?
Culture

Did we create a generation of prudes?

Has the crushing of ‘teen’ entertainment and our failure to represent the full breadth of adolescent experience produced generation Zzz? Emma Garland investigates.

Written by: Emma Garland

How to shoot the world’s most gruelling race
Photography

How to shoot the world’s most gruelling race

Photographer R. Perry Flowers documented the 2023 edition of the Winter Death Race and talked through the experience in Huck 81.

Written by: Josh Jones

An epic portrait of 20th Century America
Photography

An epic portrait of 20th Century America

‘Al Satterwhite: A Retrospective’ brings together scenes from this storied chapter of American life, when long form reportage was the hallmark of legacy media.

Written by: Miss Rosen

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now