What Netflix did next: Mötley Crüe and a lot of cocaine

What Netflix did next: Mötley Crüe and a lot of cocaine
Are you still watching? — Writer Megan Nolan bravely ventures into Netflix’s Original releases, in an attempt to figure out if anything is even worth our time anymore. This week, it’s ridiculous rock biopic The Dirt and drug odyssey doc The Legend Of Cocaine Island.

The Dirt

I couldn’t name or even hum a single Mötley Crüe song, but they did have a stark and harrowing impact on my sexual awakening as a child. I was reading one of those glossy Dad Rock magazines like Q or Mojo when I was 12 or so, and it quoted an excerpt from The Dirt, the famously excessive tell-all autobiography recounting all the band’s kerr-a-zy antics. The passage in question involved Tommy Lee taking two women out to dinner and then penetrating them under the table with an empty wine bottle, a detail too profoundly reality-shattering for my pubescent brain to comprehend or, evidently, ever forget. “Is… is that what sex is like?” I wondered frantically. “Indeed, is that what… fancy restaurants are like?”

Anyway, this adaptation of the book is winning all manner of scathing reviews, for being irrelevant and archaic and just plain trashy. To which I say: I agree, and it’s epic. Don’t get me wrong, it’s a bad and stupid film and doing almost literally anything else would be better for you than watching it, but at the same time, is it so stupid that it made me laugh quite a few times? Frankly yes!

It’s madly atonal, edging towards Spinal Tap-esque self awareness at times but never quite committing, then careening back to the weirdly po-faced angsty drama, rendered so poorly that no matter what atrocity is taking place you can’t help but smirk at it. Genuinely even the part where a child dies of cancer is so overwrought and mad that you can’t take it seriously or be sad.

In its favour, Douglas Booth as Nikki Sixx could certainly, and is far more attractive than any of the actual band members. What’s mind-boggling is looking back at that time, the way they looked and dressed and acted, and thinking, “This? This is what made thousands of women want to shag you? You’re wearing a large top hat emblazoned with “ROCK” spelled out in diamonte studs.” However, Douglas Booth does also have the smooth and perfectly structured, exquisitely maintained face of what he is – which is an English boy with a dad who was the director of Deutsche Bank. He looks posh, basically, and not like someone who snorts heroin off a stripper’s nether regions in a toilet.

Booth as Sixx has the film’s best moment, a moment so utterly pure and stunning that I rewound to play it four times over. Vince Neil’s just been in a car crash in which English drummer Razzle was killed, and Sixx is explaining why he hasn’t been around to support him. “I’d fallen head over heels in love,” a ponderous voiceover whispers, as he sits in a dimly lit club booth with a naked woman swaying in front of him. “And she was the sweetest thing I’d ever known. She made me feel all the warmth and happiness I never knew as a child. Her name…….was heroin.”

That’s just good stuff, I’m sorry! You thought it was the woman with the bare arse, but it was the tray of heroin she was holding!

HOW MANY POPCORNS OUT OF TEN? 🍿🍿❌❌❌❌❌❌❌❌

WORTH A WATCH WHEN SOBER? Absolutely not, but yes at the same time

WORTH A WATCH WHEN HUNGOVER/ DRUNK? Yes, it’s so bad that it will make you feel  nothing at all, so good hangover fodder

The Legend of Cocaine Island

This is an over-produced but funny and inventive documentary. It unfortunately relies on far too much reconstruction, but it’s a good story with enough bizarre turns and characters that it’s worth a watch. Rodney Hyden was one of the many who lost everything after the 2008 recession. Formerly a thriving housing contractor with a fancy house and a boat and all that good stuff, he and his wife and daughter moved to a double-wide on a dirt road in Florida when it all came crashing down. There he made the acquaintance of various local oddballs, one of whom had an incredible story.

Julian, a simple-living old hippy, was vacationing in Puerto Rico when a waterproof bag filled with cocaine surfaced. Not knowing what to do with it, he buried it and went back home to Florida. For fifteen years, the story was a local legend, but nobody made any attempt to retrieve it, until Rodney, driven to the end of his tether by financial desperation, hatched a plan.

I think I liked this film despite its flaws because Rodney is such a compelling, empathetic person, and also such a big idiot. When he makes connections with local drug dealers, he is openly awed by the aesthetic trappings of being a gangster – the clothes, the booze, the smooth talk. He starts manically parroting Scarface quotes at one point in excitement. He is no natural criminal, just someone who stumbled upon a once-in-a-lifetime chance for a payday. Despite imagining that we might slip smoothly into an Ocean’s Eleven-style groove were we thrust into such a position, the reality is that we would all be like Rodney – making a tit of ourselves by asking for a go in the druglord’s private jet.

HOW MANY POPCORNS OUT OF TEN? 🍿🍿🍿🍿🍿🍿❌❌❌❌

WORTH A WATCH WHEN SOBER? Yes

WORTH A WATCH WHEN HUNGOVER/ DRUNK? Yes tbh! We stan an entrepreneurial but bumbling would-be criminal.

Follow Megan Nolan on Twitter.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

Latest on Huck

Lewd tales of live sex shows in ’80s Times Square
Culture

Lewd tales of live sex shows in ’80s Times Square

Peep Man — Before its LED-beaming modern refresh, the Manhattan plaza was a hotbed for seedy transgression. A new memoir revisits its red light district heyday.

Written by: Miss Rosen

In a world of noise, IC3PEAK are finding radicality in the quiet
Music

In a world of noise, IC3PEAK are finding radicality in the quiet

Coming Home — Having once been held up as a symbol of Russian youth activism and rebellion, the experimental duo are now living in exile. Their latest album explores their new reality.

Written by: Isaac Muk

Are we steamrolling towards the apocalypse?
Culture

Are we steamrolling towards the apocalypse?

One second closer to midnight — While the rolling news cycle, intensifying climate crisis and rapidly advancing technology can make it feel as if the end days are upon us, newsletter columnist Emma Garland remembers that things have always been terrible, and that is a natural part of human life.

Written by: Emma Garland

In a city of rapid gentrification, one south London estate stands firm
Culture

In a city of rapid gentrification, one south London estate stands firm

A Portrait of Central Hill — Social housing is under threat across the British capital. But residents of the Central Hill estate in Crystal Palace are determined to save their homes, and their community.

Written by: Alex King

Analogue Appreciation: Maria Teriaeva’s five pieces that remind her of home
Culture

Analogue Appreciation: Maria Teriaeva’s five pieces that remind her of home

From Sayan to Savoie — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. First up, the Siberian-born, Paris-based composer and synthesist.

Written by: Maria Teriaeva

Petition to save the Prince Charles Cinema signed by over 100,000 people in a day
Activism

Petition to save the Prince Charles Cinema signed by over 100,000 people in a day

PCC forever — The Soho institution has claimed its landlord, Zedwell LSQ Ltd, is demanding the insertion of a break clause that would leave it “under permanent threat of closure”.

Written by: Isaac Muk

Sign up to our newsletter

Issue 81: The more than a game issue

Buy it now